<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-24079749</id><updated>2011-11-28T00:56:09.708+01:00</updated><category term='norman fairbanks'/><category term='loscil'/><category term='zymogen'/><category term='the green kingdom'/><category term='breaks the blank day'/><category term='miteigi nemoto'/><category term='miasmah'/><category term='fern'/><category term='martin schulte'/><category term='stephen walter'/><category term='heezen'/><category term='letna'/><category term='xedh'/><category term='jive biquette'/><category term='sticking drops'/><category term='zoogoo'/><category term='pedro leitao'/><category term='kenji siratori'/><category 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demarthe'/><category term='polarproject'/><category term='petr drkula'/><category term='das Kraftfuttermischwerk'/><category term='nikolaos yanakis'/><category term='funkzelle'/><category term='max richter'/><category term='serein'/><category term='stadtgruen'/><category term='sinq'/><category term='edgeist'/><category term='kenneth kirschner'/><category term='baba llaga'/><category term='test tube'/><category term='vitalis popoff'/><category term='rich.vom.dorf'/><category term='cHristian negre i walczak'/><category term='gate zero'/><category term='magnetic jihad'/><category term='rob lynam'/><category term='bacanal intruder'/><category term='monolake'/><category term='depth affect'/><category term='aquarell'/><category term='denis mati'/><category term='alexandre navarro'/><category term='addsensor'/><category term='fred debief'/><category term='monotonik'/><category term='this mess is mine'/><category term='siegmar fricke'/><category term='takeshi nakamura'/><category term='top 40'/><category term='multilink'/><category term='transient'/><category term='abdicate cell'/><category term='marcos romero'/><category term='el senor ciuf ciuf'/><category term='at/on'/><category term='sleepy town manufacture'/><category term='segue'/><category term='tenandtracer'/><category term='applejux'/><category term='±•¬.¬'/><category term='clear cut records'/><category term='isuzu kochiwa'/><category term='sven swift'/><category term='one netlabel'/><category term='tania mouraud'/><category term='brtlmn'/><category term='orchitekt'/><category term='12rec'/><category term='plosive'/><category term='DAF'/><category term='doping mozga'/><category term='kikapu'/><category term='so inagawa'/><category term='clinical archives'/><category term='raul fuentes'/><category term='aquietbump'/><category term='mogwai'/><category term='d&apos;incise'/><category term='madame cell'/><category term='max marlow'/><category term='daniel maze'/><category term='thinner autoplate'/><category term='Sergi Saldaña'/><category term='esbende washlavok'/><category term='gqbn'/><title type='text'>++++++++++++</title><subtitle type='html'>views &amp;amp; reviews &amp;gt; thierry massard &amp;gt; march 17th 2006 - march 16th 2007</subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://massard.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://massard.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><link rel='next' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default?start-index=101&amp;max-results=100'/><author><name>thierry massard</name><uri>http://www.blogger.com/profile/08698810450689981475</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-4KpEUL05dzQ/TgrB2q1Dy6I/AAAAAAAAF4w/FPy_-k17XPY/s220/662%2B210.jpg'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>158</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-24079749.post-6971763199951886341</id><published>2007-03-16T07:41:00.000+01:00</published><updated>2007-05-19T20:45:45.546+02:00</updated><title type='text'>::</title><content type='html'>Opened on march 17th, 2006, and based on initial concept of reviewing netaudios as soon as they are coming up, the blog :: views and reviews was also the place of ::the questionnaire, an experience, based on Proust model, submitted to a few representative net culture people. As a "time capsule" experience, this blog have definitively closed on march 16th, 2007.&lt;br /&gt;&lt;br /&gt;Thank you :: So Inagawa, Jonathan Canupp, Metafame, Marcos Romero, Krishve, Mattias "Arete" Andersson, Tatsu (bump foot), Alex Cortex, Denis Fomenko, Anna Szmuc, Anita Castiel, Aquarell, Christophe Demarthe,  ±•., Luis García-Pumarino, Oliviero Farneti, Sim Sullen, Sven Swift, Carl Martin, Miguel A. Garcia, Pedro and Xavier Leitão, Irie Yoshihisa, Léa Lescure, Fred Forest, Tania Mouraud, Bernard Quesniaux, Luca "Fedemarti", ig., Magnetic Djihad, Keisuke Sudo, Daniel Maze, Sieve, Aplink, BRTLMN, Kenneth Kirschner, Alexandre Navarro, Norman Fairbanks, Darren McClure, Fgmcvp, Gurdonark, Stephen Walter, David Velez, Jive Biquette, Joël Hubaut, Depth Affect, Sander Van Orischot, Neven Braum, Matt Schieffer, Graham Petch, Riku Annala, Henk, Mark Flanagan, Martin Schulte, Sticking drops, Alexey Devayin, Dave Zeal, Coldicus, Takeshi Nakamura, Tim Martin, .Anton  Holota, Jeffrey Acciaioli, Phil at Belladonna, Stanislav Vdovin, Bernhard Straub, the city of Nizhny Novgorod, Lars Kranholdt, Loïs Laplace, Philippe at digitalbiotope, Claude Pélieu, Anton Cherkasov, Cheju, Juergen "PolarProject" Rieger, Michael Cottone, Sascha Muller, Aaron McCammon, Bad Loop, Emil Klotzsch, iua, Paranerd, Partikel, Jack Haberfield, Rob Lynam, Nik at Khavi, Kevin M. Krebs, Neuf Meuf, Dustin Frelich, Jochen Dworeck, Ijo, D'Incise, Masaya Sasaki, Yagya, Andrey Kiritchenko, Stud, Galaktlan, Segue, Ahasverus, Peacee F Moya, Joonas Vähämäki, Eric Delay, Sasa Vojvodic, t3tsuo ~ Fernando Ferreira, Kenji Siratori, OCP, Petr Drkula, Sergi Saldaña, Baba Llaga, Alkor, Raül Fuentes, Vitalis Popoff, Fred DeBieF, Huw "IOI" Roberts, Isuzu Kochiwa, Laurent Batailley, Javier Rubio, Henrik Summanen, Filippo and Mario Aldovini, Bernard Szajner, Andreas Buttweiler, "Manu" Ibakusha, Marcel Proust, Duff, hOus3s, Antoinette Faure, Frank at no-response, Berio at alg-label, Jasper Boer, Miles Davies at filament, Sebastian Redenz, Simon Tibor, Suur at protoplazma, Tobi Tobsucht, Thomas Park, Fern, Tio, Max Richter, Robert Henke and Daniel at the office, Vladislav Petrov, Gate Zero, cHristian negre i walczak, RichVom.Dorf, Scott Morgan, Siegmar Fricke, Cut Fire Wood, SM, Funkzelle, GQBN, ZooGoo, Ceptual, Erik Skodvin, Red Hot Wok, Hippolyte and Anatole for the patience, Edgeist, Pizo Meyer, Nikòlaos Yanakis, Max Marlow, Olivier Umhauer, QB, Damian, Robin Rimbaud, MarceXL, Andy Warhol, Steve Reich, Peter Aidu, Sleepy Town Manufacture, Ohrchitekt, Red Unit, Brian Eno, Nenad Popovic, Valérie Bollot, Paul (dissolved), King Kietu, Sensitivedub, and thank you also to everyone at :: unfoundsoundrecords, zymogen, 12rec.net, noisy vagabond recordings, monocromatica, discogs, inquietudes, lucha libre recordings, panospria, minimalnet, top-40, kikapu, eko and standard klik music, thinner - autoplate, retropublik, mnml, inmo design, monotonik, one netlabel, green rat records, decisive sound, otium, minusn, belladonna records, aerotone, aquietbump, filament recordings, laverna, netlabel-board, tropic netlabel, sutemos, netlabelism, noerror, kyoto digital, serein, stadtgruen, smt.records, mimi records, phlow, telescope, protoplazma, mahorka, bleepwatch, sonicSQUIRREL, kahvi, audio 808, systrum sistum, umanuvem, systrum sistum, hw homework, alg-a, no-response, playcode, digitalbiotope, serein, birdsong, ++sensor, protoplazma, treetrunk records, kreislauf, op3n, inoquo, eed, bleepwatch, subsource, plastic4records, archive, negative sound institute, electrosound, feed, clear-cut-records, you are not stealing records, quiet lounge, abdicate cell, miasmah, picomedia, decisive sound records, combi records, plainaudio, watmm records, pharmacom records, camomille, flamingo generation, clinical archives, garganrecords, radio france culture, radio grenouille, last.fm, minimalmusic, minimalnet, themilkfactory, netlabelism, project 168, rowolo, ubu web, and all creative commons people.&lt;br /&gt;&lt;br /&gt;great respect&lt;br /&gt;&lt;br /&gt;thierry massard / vendredi 16 mars 2007&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/24079749-6971763199951886341?l=massard.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://massard.blogspot.com/feeds/6971763199951886341/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=24079749&amp;postID=6971763199951886341&amp;isPopup=true' title='13 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/6971763199951886341'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/6971763199951886341'/><link rel='alternate' type='text/html' href='http://massard.blogspot.com/2007/03/thank-you.html' title='::'/><author><name>thierry massard</name><uri>http://www.blogger.com/profile/08698810450689981475</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-4KpEUL05dzQ/TgrB2q1Dy6I/AAAAAAAAF4w/FPy_-k17XPY/s220/662%2B210.jpg'/></author><thr:total>13</thr:total></entry><entry><id>tag:blogger.com,1999:blog-24079749.post-7007438787943872220</id><published>2007-03-12T18:52:00.001+01:00</published><updated>2010-05-03T13:58:27.896+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='zymogen'/><category scheme='http://www.blogger.com/atom/ns#' term='tenandtracer'/><title type='text'>Ten And Tracer :: baker's blood</title><content type='html'>I am pleased to close this blog with a release, which combined so much shared values and thoughts about what can possibly be an open-minded work, so far from stale genres and dogmas, full of creative curiosity for sounds and things around. Without complex, but with the faculty to influence notably the course on, Jonathan Canupp cultivates all these talents and some, less obvious, to discover right now.&lt;br /&gt;&lt;br /&gt;Format :: digital&lt;br /&gt;Location :: &lt;a href="http://www.zymogen.net/releases/zym012/"&gt;zymogen&lt;/a&gt;&lt;br /&gt;Website :: &lt;a href="http://www.tenandtracer.com/"&gt;Ten And Tracer&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/24079749-7007438787943872220?l=massard.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://massard.blogspot.com/feeds/7007438787943872220/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=24079749&amp;postID=7007438787943872220&amp;isPopup=true' title='1 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/7007438787943872220'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/7007438787943872220'/><link rel='alternate' type='text/html' href='http://massard.blogspot.com/2007/03/ten-and-tracer-bakers-blood.html' title='Ten And Tracer :: baker&apos;s blood'/><author><name>thierry massard</name><uri>http://www.blogger.com/profile/08698810450689981475</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-4KpEUL05dzQ/TgrB2q1Dy6I/AAAAAAAAF4w/FPy_-k17XPY/s220/662%2B210.jpg'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-24079749.post-6225188998113212167</id><published>2007-03-12T18:47:00.001+01:00</published><updated>2010-05-03T13:59:22.279+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='metafame'/><category scheme='http://www.blogger.com/atom/ns#' term='kreislauf'/><title type='text'>Metafame :: sooner ep</title><content type='html'>As a dissident of Anti Trance Corsortium 666, in 2002, and more recently (2004) author of a splendid track for a compilation of the netlabel plataforma-ltw, the very discreet Metafame makes us the honor and favours of a three tracks ep, a great piece of work. Opening on a so elegant and fine writing "confoundhalf-pint", the ep offers a vertiginous takeoff with "ec-nomy" which admittedly have, removed an "o", but certainly not sparing of sensations. Third and unfortunately last, "quaverrack" invits the listener to remain on a "parenthèse enchantée". &lt;br /&gt;Yes, ::sooner is, and will remain a magic bracket.&lt;br /&gt;&lt;br /&gt;Format :: digital&lt;br /&gt;Location :: &lt;a href="http://kreislauf.org/label/2007/03/kreislauf-011.html"&gt;kreislauf label&lt;/a&gt;&lt;br /&gt;related :: &lt;a href="http://www.plataforma-ltw.com/"&gt;plataforma-ltw&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/24079749-6225188998113212167?l=massard.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://massard.blogspot.com/feeds/6225188998113212167/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=24079749&amp;postID=6225188998113212167&amp;isPopup=true' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/6225188998113212167'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/6225188998113212167'/><link rel='alternate' type='text/html' href='http://massard.blogspot.com/2007/03/metafame-sooner-ep.html' title='Metafame :: sooner ep'/><author><name>thierry massard</name><uri>http://www.blogger.com/profile/08698810450689981475</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-4KpEUL05dzQ/TgrB2q1Dy6I/AAAAAAAAF4w/FPy_-k17XPY/s220/662%2B210.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-24079749.post-1500593378652222818</id><published>2007-03-08T12:03:00.001+01:00</published><updated>2010-05-03T13:59:52.859+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='otium'/><category scheme='http://www.blogger.com/atom/ns#' term='miteigi nemoto'/><title type='text'>Miteigi Nemoto :: Entheogen</title><content type='html'>4th lp contribution of Miteigi Nemoto for the label, and once again, Otium did not contradict its high reputation, &lt;br /&gt;even if the title of the exercice can miss interest, see being reducing, in particular for the agnostics.&lt;br /&gt;&lt;br /&gt;Format :: digital&lt;br /&gt;Location :: &lt;a href="http://www.otium.ru/en/releases/?id=47"&gt;otium&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/24079749-1500593378652222818?l=massard.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://massard.blogspot.com/feeds/1500593378652222818/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=24079749&amp;postID=1500593378652222818&amp;isPopup=true' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/1500593378652222818'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/1500593378652222818'/><link rel='alternate' type='text/html' href='http://massard.blogspot.com/2007/03/miteigi-nemoto-entheogen.html' title='Miteigi Nemoto :: Entheogen'/><author><name>thierry massard</name><uri>http://www.blogger.com/profile/08698810450689981475</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-4KpEUL05dzQ/TgrB2q1Dy6I/AAAAAAAAF4w/FPy_-k17XPY/s220/662%2B210.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-24079749.post-349074050770189678</id><published>2007-03-07T16:06:00.001+01:00</published><updated>2010-05-03T14:00:27.132+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='marcos romero'/><title type='text'>Marcos Romero :: definition of micro tech house</title><content type='html'>The original title was trully splendid, "viaje por el deep tech micro house", this sort of combined expression between theory and passeport for an open space journey of sound investigation. Then, from now,  you will probably think that the actual name will not produce the same good attention to this project, reassure yourself and let you go to enter in this particularly hypnotic experience. Practising an exceptional rhythmic intelligence, Marcos Romero is a wizard ; a wizard able to hold a fluid tonality in levitation for, example, and our greater satisfaction. Yes, enter in, this “definition” and you will leave there only while knowing that you had just made a “viaje” in a very exclusive ritual.&lt;br /&gt;&lt;br /&gt;Format :: digital&lt;br /&gt;Download :: &lt;a href="http://marcos-romero.com/miscmusic/sets/Marcos_Romero_-_definition_of_micro_tech_house.mp3"&gt;here&lt;/a&gt;&lt;br /&gt;Website :: &lt;a href="http://marcos-romero.com/"&gt;Marcos Romero&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/24079749-349074050770189678?l=massard.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://massard.blogspot.com/feeds/349074050770189678/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=24079749&amp;postID=349074050770189678&amp;isPopup=true' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/349074050770189678'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/349074050770189678'/><link rel='alternate' type='text/html' href='http://massard.blogspot.com/2007/03/marcos-romero-definition-of-micro-tech.html' title='Marcos Romero :: definition of micro tech house'/><author><name>thierry massard</name><uri>http://www.blogger.com/profile/08698810450689981475</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-4KpEUL05dzQ/TgrB2q1Dy6I/AAAAAAAAF4w/FPy_-k17XPY/s220/662%2B210.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-24079749.post-9117090914236843586</id><published>2007-03-05T13:20:00.001+01:00</published><updated>2010-05-03T14:00:56.718+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='max marlow'/><title type='text'>Max Marlow :: skyland</title><content type='html'>First is this good surprise and nice gift … when you will have click on the link under these words,&lt;br /&gt;these are the steps of an urban nomad and night bird walk of a solitary berliner, king for a day and undoubtedly one of the important live theoretician workers of the becoming netscene.&lt;br /&gt;we are not yet at the end of enchantments.&lt;br /&gt;Once passed, some perfectible manipulations, stays the echoes of the broken mirror ( "…sometimes he saw his real face, and sometimes a stranger at his place…" said the robots in the past) - But, already these reflections give up the place, or rather deviate with prudence in front of the road roller and the unrestrained race of the hustler, reduced to a furtive shadow.&lt;br /&gt;"the pirate rebellion of skyland" does not slacken the pressure, quite the contrary, poking and ceaselessly on the wire of a circular groove, rolled-iron by an inalterable bass line.&lt;br /&gt;And finally, what about "walaskjalf" ? &lt;br /&gt;Well, are you talking of this gigantic track, which will make us remember for a very long time this :: skyland ?&lt;br /&gt;i suppose, yes …&lt;br /&gt;&lt;br /&gt;Format :: digital&lt;br /&gt;Location :: &lt;a href="http://m02v.moozi.org/"&gt;m02v&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/24079749-9117090914236843586?l=massard.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://massard.blogspot.com/feeds/9117090914236843586/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=24079749&amp;postID=9117090914236843586&amp;isPopup=true' title='2 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/9117090914236843586'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/9117090914236843586'/><link rel='alternate' type='text/html' href='http://massard.blogspot.com/2007/03/max-marlow-skyland.html' title='Max Marlow :: skyland'/><author><name>thierry massard</name><uri>http://www.blogger.com/profile/08698810450689981475</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-4KpEUL05dzQ/TgrB2q1Dy6I/AAAAAAAAF4w/FPy_-k17XPY/s220/662%2B210.jpg'/></author><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-24079749.post-9072224236475751164</id><published>2007-03-03T13:54:00.002+01:00</published><updated>2011-06-14T10:40:14.551+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='christophe demarthe'/><title type='text'>Christophe Demarthe :: the questionnaire</title><content type='html'>:: the questionnaire &lt;span style="font-style: italic;"&gt;is based on the original "questionnaire of Marcel Proust", created by Antoinette Faure around 1890.&lt;br /&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/24079749-9072224236475751164?l=massard.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://the-questionnaire.blogspot.com/2007/03/christophe-demarthe.html' title='Christophe Demarthe :: the questionnaire'/><link rel='replies' type='application/atom+xml' href='http://massard.blogspot.com/feeds/9072224236475751164/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=24079749&amp;postID=9072224236475751164&amp;isPopup=true' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/9072224236475751164'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/9072224236475751164'/><link rel='alternate' type='text/html' href='http://massard.blogspot.com/2007/03/christophe-demarthe-questionnaire.html' title='Christophe Demarthe :: the questionnaire'/><author><name>thierry massard</name><uri>http://www.blogger.com/profile/08698810450689981475</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-4KpEUL05dzQ/TgrB2q1Dy6I/AAAAAAAAF4w/FPy_-k17XPY/s220/662%2B210.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-24079749.post-4930457061457431087</id><published>2007-03-03T10:14:00.001+01:00</published><updated>2010-05-03T14:01:34.578+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='krishve'/><title type='text'>Krishve :: cochlea</title><content type='html'>Krishve will not remain wedged in the inner ear for a long time...&lt;br /&gt;"scala media", as a recording field temptation, shares a sound exploration all made of obvious pushed tubular electric density.&lt;br /&gt;"scala tympani" could put at evil the membrane, but materialisation of the sparks is still quite remote - hardly if the very orchestral final one is distinguished.&lt;br /&gt;"scala vestibuli" closes the ep in an entrance made of post-symphonic layers lost between two worlds. the accents are often dramatic, the tension is particularly perceptible - We will not wait for long before joining a distant sarabande, brass band in phase of total obliteration.&lt;br /&gt;Krishve will not remain wedged in the inner ear for a long time...&lt;br /&gt;&lt;br /&gt;Format :: digital&lt;br /&gt;Location :: &lt;a href="http://feedlabel.se/feed8.html"&gt;feed&lt;/a&gt;&lt;br /&gt;Website :: &lt;a href="http://www.krishve.com/"&gt;Krishve&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/24079749-4930457061457431087?l=massard.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://massard.blogspot.com/feeds/4930457061457431087/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=24079749&amp;postID=4930457061457431087&amp;isPopup=true' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/4930457061457431087'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/4930457061457431087'/><link rel='alternate' type='text/html' href='http://massard.blogspot.com/2007/03/krishve-cochlea.html' title='Krishve :: cochlea'/><author><name>thierry massard</name><uri>http://www.blogger.com/profile/08698810450689981475</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-4KpEUL05dzQ/TgrB2q1Dy6I/AAAAAAAAF4w/FPy_-k17XPY/s220/662%2B210.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-24079749.post-8728674131014360905</id><published>2007-03-01T17:59:00.001+01:00</published><updated>2010-05-03T14:01:57.368+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='various artists'/><category scheme='http://www.blogger.com/atom/ns#' term='kreislauf'/><title type='text'>Various Artists :: pathmusick visits kreislauf</title><content type='html'>10 is the reference of this meeting of Kreislauf (our host) with Pathmusick, a very welcome visitor.&lt;br /&gt;09 are the identity guests of the master of ceremony, Alex Cortex.&lt;br /&gt;08 is surely a "night-time epitome" but it also could be a time passes, media noche.&lt;br /&gt;07 as a laconic echo number of a distant voice, Stefan Eichinger (lopazz) have a melancholic thought for that whom we suppose Elisabetha being, and always this laconic voice haunting dehumanized corridors, loneliness?&lt;br /&gt;06 as an inverted circular water movement for Seis Tormentas.&lt;br /&gt;05 or was it 2 bad cop mostly disorientated.&lt;br /&gt;04 is a short intermede, where the satyre is charming an innocent victim … a story to follow.&lt;br /&gt;03 as a decentralized nerve movement.&lt;br /&gt;02 ? please more than 2, of these so flexible harmonic tunes.&lt;br /&gt;Number one is surely another track, but i'm not a number, i am a freeeee man …&lt;br /&gt;&lt;br /&gt;Format :: digital&lt;br /&gt;Location :: &lt;a href="http://kreislauf.org/label/2007/03/kreislauf-010.html"&gt;kreislauf label&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/24079749-8728674131014360905?l=massard.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://massard.blogspot.com/feeds/8728674131014360905/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=24079749&amp;postID=8728674131014360905&amp;isPopup=true' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/8728674131014360905'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/8728674131014360905'/><link rel='alternate' type='text/html' href='http://massard.blogspot.com/2007/03/various-artists-pathmusick-visits.html' title='Various Artists :: pathmusick visits kreislauf'/><author><name>thierry massard</name><uri>http://www.blogger.com/profile/08698810450689981475</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-4KpEUL05dzQ/TgrB2q1Dy6I/AAAAAAAAF4w/FPy_-k17XPY/s220/662%2B210.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-24079749.post-3100861158249875354</id><published>2007-02-26T15:07:00.001+01:00</published><updated>2010-05-03T14:02:37.030+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='bump foot'/><category scheme='http://www.blogger.com/atom/ns#' term='the stringed theory'/><category scheme='http://www.blogger.com/atom/ns#' term='xNoleet'/><title type='text'>The Stringed Theory :: supersymmetry</title><content type='html'>Call it "super" if you mean that the importance of using "super"lative is a determinating element to appreciate the "tiny oscillating strings forming the basis of everything" around the corner of the ... universe. We will probably agree on, as The Stringed Theory is giving us the demonstration of a quiet interlacing of drones and layers, reducing outlook in a working drawing distance - &lt;br /&gt;:: supersymmetry is also the result of intelligent cross features with the visual artist, xNoleet, renforcing the "graphic" spirit of the release - a sketchy masterstroke&lt;br /&gt;&lt;br /&gt;Format :: digital&lt;br /&gt;Location :: &lt;a href="http://www.bumpfoot.net/foot032.html"&gt;bump foot&lt;/a&gt;&lt;br /&gt;Artwork :: &lt;a href="http://vm.dojohabit.com/"&gt;xNoleet&lt;/a&gt;&lt;br /&gt;Website :: &lt;a href="http://www.thestringedtheory.com/"&gt;The Stringed Theory&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/24079749-3100861158249875354?l=massard.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://massard.blogspot.com/feeds/3100861158249875354/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=24079749&amp;postID=3100861158249875354&amp;isPopup=true' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/3100861158249875354'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/3100861158249875354'/><link rel='alternate' type='text/html' href='http://massard.blogspot.com/2007/02/stringed-theory-supersymmetry.html' title='The Stringed Theory :: supersymmetry'/><author><name>thierry massard</name><uri>http://www.blogger.com/profile/08698810450689981475</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-4KpEUL05dzQ/TgrB2q1Dy6I/AAAAAAAAF4w/FPy_-k17XPY/s220/662%2B210.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-24079749.post-523361850084371776</id><published>2007-02-22T20:59:00.001+01:00</published><updated>2010-05-03T14:02:59.488+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='various artists'/><category scheme='http://www.blogger.com/atom/ns#' term='thierry massard'/><title type='text'>Various Artists :: close emulsions of the 7th kind</title><content type='html'>tracklist&lt;br /&gt;&lt;br /&gt;01. Dissolved :: polymer flood ignition illusion / source :: &lt;a href="http://www.retropublik.net"&gt;retropublik&lt;/a&gt;&lt;br /&gt;02. Sardinia Bass Legalize :: nyahbinghi airlines / source :: &lt;a href="http://www.aquietbump.com"&gt;aquietbump&lt;/a&gt;&lt;br /&gt;03. Irish &amp; Duff :: desire / source :: &lt;a href="http://www.flamingo.studio-web.net"&gt;flamingo generation&lt;/a&gt;&lt;br /&gt;04. Stephen Walter :: green shift / source :: &lt;a href="http://www.zymogen.net"&gt;zymogen&lt;/a&gt;&lt;br /&gt;05. Doping Mozga :: mistake / source :: &lt;a href="http:// www.zherji.net/abdicate"&gt;abdicate cell&lt;/a&gt;&lt;br /&gt;06. Heezen :: secret speech / source :: &lt;a href="http://www.12rec.net"&gt;12rec&lt;/a&gt;&lt;br /&gt;07. Ascalaphe :: camelonade / source :: &lt;a href="http://kreislauf.org/label/2007/01/kreislauf-006.html"&gt;kreislauf&lt;/a&gt;&lt;br /&gt;08. Xedh :: the cube / + exclusive + source :: &lt;a href="http://www.xedh.org/"&gt;xedh&lt;/a&gt;&lt;br /&gt;09. Mr. Modular :: as they descend / source :: &lt;a href="http://moov.moozi.org/"&gt;moov&lt;/a&gt;&lt;br /&gt;10. OCP :: atmos three / source :: &lt;a href="http://www.serein.co.uk"&gt;serein&lt;/a&gt;&lt;br /&gt;11. Edgeist :: magnesium / source :: &lt;a href="http://www.zherji.net/abdicate"&gt;abdicate cell&lt;/a&gt;&lt;br /&gt;12. Ohrchitekt :: naschwerk / source :: &lt;a href="http://www.pharmacom-productions.de"&gt;pharmacom&lt;/a&gt;&lt;br /&gt;13. El Senor Ciuf Ciuf :: two more rows / source :: &lt;a href="http://www.12rec.net"&gt;12rec&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;selection by thierry massard, mixed by &lt;a href="http://massard.blogspot.com/2006/10/sven-swift-questionnaire.html"&gt;Sven Swift&lt;/a&gt; - fevrier 2007&lt;br /&gt;&lt;br /&gt;thanks to all artists, labels and thank you to &lt;a href="http://www.thirteensongs.net"&gt;thirteensongs&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Format :: digital&lt;br /&gt;Location :: &lt;a href="http://www.thirteensongs.net/Mixtape_003_Thierry_Massard.htm"&gt;thirteensongs&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/24079749-523361850084371776?l=massard.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://massard.blogspot.com/feeds/523361850084371776/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=24079749&amp;postID=523361850084371776&amp;isPopup=true' title='2 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/523361850084371776'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/523361850084371776'/><link rel='alternate' type='text/html' href='http://massard.blogspot.com/2007/02/close-emulsions-of-seventh-kind.html' title='Various Artists :: close emulsions of the 7th kind'/><author><name>thierry massard</name><uri>http://www.blogger.com/profile/08698810450689981475</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-4KpEUL05dzQ/TgrB2q1Dy6I/AAAAAAAAF4w/FPy_-k17XPY/s220/662%2B210.jpg'/></author><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-24079749.post-954631393233095109</id><published>2007-02-22T05:24:00.001+01:00</published><updated>2010-05-03T14:03:27.739+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='rob lynam'/><category scheme='http://www.blogger.com/atom/ns#' term='multilink'/><title type='text'>Multilink magazine :: volume 3 - issue 1</title><content type='html'>contents ::&lt;br /&gt;&lt;br /&gt;studio browne + panda yoghurt + social fabric + ginormous + gregory euclide + fthr + simone sbarbati + tycho + systrum sistum&lt;br /&gt;&lt;br /&gt;Format :: pdf magazine&lt;br /&gt;Location :: &lt;a href="http://www.multilinkmagazine.com/issue_9.php"&gt;Multilink&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/24079749-954631393233095109?l=massard.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://massard.blogspot.com/feeds/954631393233095109/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=24079749&amp;postID=954631393233095109&amp;isPopup=true' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/954631393233095109'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/954631393233095109'/><link rel='alternate' type='text/html' href='http://massard.blogspot.com/2007/02/multilink-magazine-volume-3-issue-1.html' title='Multilink magazine :: volume 3 - issue 1'/><author><name>thierry massard</name><uri>http://www.blogger.com/profile/08698810450689981475</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-4KpEUL05dzQ/TgrB2q1Dy6I/AAAAAAAAF4w/FPy_-k17XPY/s220/662%2B210.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-24079749.post-2307470020464332846</id><published>2007-02-20T20:51:00.002+01:00</published><updated>2010-05-03T14:25:31.811+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='various artists'/><category scheme='http://www.blogger.com/atom/ns#' term='op3n'/><category scheme='http://www.blogger.com/atom/ns#' term='thierry massard'/><title type='text'>Various Artists :: fréquentes fréquences et autres pensées fugaces</title><content type='html'>tracklist&lt;br /&gt;&lt;br /&gt;01. Alkor :: sniezny kaloryfer / source :: &lt;a href="http://www.kahvi.org/"&gt;kahvi&lt;/a&gt; &lt;br /&gt;02. Baba Llaga :: television fantasma / source :: &lt;a href="http://mahorka.cult.bg/"&gt;mahorka&lt;/a&gt;&lt;br /&gt;03. Ascalaphe :: bahia / source :: &lt;a href="http://kreislauf.org/label/2007/01/kreislauf-006.html"&gt;kreislauf&lt;/a&gt;&lt;br /&gt;04. PolarProject :: curved / source :: &lt;a href="http://polarproject.de/music/index.html"&gt;polarproject&lt;/a&gt; &lt;br /&gt;05. Ijo :: play / source :: &lt;a href="http://sutemos.net/player;gid,14"&gt;sutemos&lt;/a&gt;&lt;br /&gt;06. Coldicus :: caress / source :: &lt;a href="http://homework.polarnet.ru/"&gt;hw homework&lt;/a&gt;&lt;br /&gt;07. Recue :: himanka (Plosive remix) / source :: &lt;a href="http://one.dot9.ca/"&gt;one&lt;/a&gt;&lt;br /&gt;08. Javier Rubio :: demarde / source :: &lt;a href="http://www.addsensor.com/"&gt;addsensor&lt;/a&gt;&lt;br /&gt;09. Alexandre Navarro :: tou / source :: &lt;a href="http://www.standard-music.net/home.php"&gt;standardklikmusic&lt;/a&gt;&lt;br /&gt;10. Ceptual :: boundearth / source :: &lt;a href="http://www.miasmah.com/"&gt;miasmah&lt;/a&gt;&lt;br /&gt;11. Takeshi Nakamura :: inferior article 1 / source :: &lt;a href="http://digitalbiotope.net/"&gt;digitalbiotope&lt;/a&gt;&lt;br /&gt;12. Denis Mati "Tio" :: mental parts / source :: &lt;a href="http://homework.polarnet.ru"&gt;hw homework&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;all tracks selected by thierry massard / mixed by &lt;a href="http://massard.blogspot.com/2006/10/christian-negre-i-walczak-aka-applejux.html"&gt;applezup&lt;/a&gt; - fevrier 2007&lt;br /&gt;&lt;br /&gt;thanks to all artists, labels and thank you to &lt;a href="http://www.op3n.net/"&gt;op3n&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Format :: digital&lt;br /&gt;Location :: &lt;a href="http://www.op3n.net/op3n/019.php"&gt;op3n mixtape netlabel&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/24079749-2307470020464332846?l=massard.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://massard.blogspot.com/feeds/2307470020464332846/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=24079749&amp;postID=2307470020464332846&amp;isPopup=true' title='1 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/2307470020464332846'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/2307470020464332846'/><link rel='alternate' type='text/html' href='http://massard.blogspot.com/2007/02/frquentes-frquences-et-autres-penses.html' title='Various Artists :: fréquentes fréquences et autres pensées fugaces'/><author><name>thierry massard</name><uri>http://www.blogger.com/profile/08698810450689981475</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-4KpEUL05dzQ/TgrB2q1Dy6I/AAAAAAAAF4w/FPy_-k17XPY/s220/662%2B210.jpg'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-24079749.post-6118528918545563410</id><published>2007-02-20T09:14:00.001+01:00</published><updated>2010-05-03T14:04:27.582+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='the kirbi'/><title type='text'>The Kirbi :: marathon</title><content type='html'>compiling some tracks from the last 3 years and around releases such as ::anonymous synonym (album for laverna netlabel in 2004), ::trembling of the turbid in 2005, last year's album ::love for grasshoppers or today's new track : "marathon", following also the recent (and brilliant) contribution to the first compilation of hw homeworks netlabel, Denis Aleksandrovich Fomenko (aka The Kirbi) is giving us a very talented pallet of neo-classic tracks and this ::marathon ep is a real fine opportunity to discover a quite seductive artist - a classy stride !&lt;br /&gt;&lt;br /&gt;Format :: digital&lt;br /&gt;Location :: &lt;a href="http://www.garganrecords.com/index3.html"&gt;garganrecords&lt;/a&gt;&lt;br /&gt;Blog :: &lt;a href="http://thekirbi.livejournal.com/"&gt;The Kirbi&lt;/a&gt;&lt;br /&gt;Website :: &lt;a href="http://www.thekirbi.com/"&gt;The Kirbi&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;please check also&lt;br /&gt;&lt;br /&gt;:: the island of the unrealized hopes&lt;br /&gt;Format :: digital&lt;br /&gt;Location :: &lt;a href="http://www.vorbic.com/releases/vrb004/"&gt;vorbic&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/24079749-6118528918545563410?l=massard.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://massard.blogspot.com/feeds/6118528918545563410/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=24079749&amp;postID=6118528918545563410&amp;isPopup=true' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/6118528918545563410'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/6118528918545563410'/><link rel='alternate' type='text/html' href='http://massard.blogspot.com/2007/02/kirbi-marathon-ep.html' title='The Kirbi :: marathon'/><author><name>thierry massard</name><uri>http://www.blogger.com/profile/08698810450689981475</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-4KpEUL05dzQ/TgrB2q1Dy6I/AAAAAAAAF4w/FPy_-k17XPY/s220/662%2B210.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-24079749.post-2703337126947449789</id><published>2007-02-15T08:22:00.001+01:00</published><updated>2010-05-03T14:04:50.974+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='various artists'/><category scheme='http://www.blogger.com/atom/ns#' term='hw'/><title type='text'>Various Artists ::  homeworks vol. 1 - we have different sounds</title><content type='html'>Marked by a certain formal classicism, this first compilation of the brilliant label of Murmansk, includes some imposing tracks such as :: “gravitation” of Les Unlogique - “manota” of Aromantra - “game over” of The Kirbi - “dream for new year” of Uior, or the "dead water“of Cut Fire Wood, and these tracks should not be ignored, or is it definitively necessary to have a very good reason - Although ...&lt;br /&gt;&lt;br /&gt;Format :: digital&lt;br /&gt;Location :: &lt;a href="http://homework.polarnet.ru/release/018.html"&gt;hw homework&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/24079749-2703337126947449789?l=massard.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://massard.blogspot.com/feeds/2703337126947449789/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=24079749&amp;postID=2703337126947449789&amp;isPopup=true' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/2703337126947449789'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/2703337126947449789'/><link rel='alternate' type='text/html' href='http://massard.blogspot.com/2007/02/va-homeworks-vol-1-we-have-are.html' title='Various Artists ::  homeworks vol. 1 - we have different sounds'/><author><name>thierry massard</name><uri>http://www.blogger.com/profile/08698810450689981475</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-4KpEUL05dzQ/TgrB2q1Dy6I/AAAAAAAAF4w/FPy_-k17XPY/s220/662%2B210.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-24079749.post-57804687989012960</id><published>2007-02-14T15:01:00.001+01:00</published><updated>2010-05-03T14:05:37.697+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='±•¬.¬'/><category scheme='http://www.blogger.com/atom/ns#' term='rndprob'/><category scheme='http://www.blogger.com/atom/ns#' term='clinical archives'/><title type='text'>±•¬.¬  ::  - - - - - / CYP3A4</title><content type='html'>Composed and recorded by ±•¬.¬ (electronic musician based in Nancy, France) during the last two years , :: -----/ CYP3A4 reports of the intense interest from the author for other "states of mind and unknown place in imagination, unknown colours" and the result is not far from a real new soundscapes exploration, revealing a deep sense of sound colorism (6ini05) and a real hability to materialize a half-hidden fog (brum).&lt;br /&gt;±•¬.¬ is also the real expressionnist craftsman on restitution of an amazing "groundA" earth's crust - "noname", which closes this "cytochrome" (&lt;a href="http://en.wikipedia.org/wiki/Cytochromes"&gt;word for CYP3A4&lt;/a&gt;) release, already allows us to hope a coming new “psycho ethno archeo" activities report.&lt;br /&gt;&lt;br /&gt;Format :: digital&lt;br /&gt;Location :: &lt;a href="http://www.clinicalarchives.spyw.com"&gt;clinical archives&lt;/a&gt;&lt;br /&gt;Link :: &lt;a href="http://www.myspace.com/rndprob  "&gt;±•¬.¬&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/24079749-57804687989012960?l=massard.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://massard.blogspot.com/feeds/57804687989012960/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=24079749&amp;postID=57804687989012960&amp;isPopup=true' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/57804687989012960'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/57804687989012960'/><link rel='alternate' type='text/html' href='http://massard.blogspot.com/2007/02/cyp3a4.html' title='±•¬.¬  ::  - - - - - / CYP3A4'/><author><name>thierry massard</name><uri>http://www.blogger.com/profile/08698810450689981475</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-4KpEUL05dzQ/TgrB2q1Dy6I/AAAAAAAAF4w/FPy_-k17XPY/s220/662%2B210.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-24079749.post-5868473995591774162</id><published>2007-02-14T12:34:00.001+01:00</published><updated>2010-05-03T14:06:02.808+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='aquarell'/><category scheme='http://www.blogger.com/atom/ns#' term='kreislauf'/><title type='text'>aquarell :: lateral position</title><content type='html'>which are the concrete "weapons" of  a seduction? &lt;br /&gt;charisma ?&lt;br /&gt;intelligence ?&lt;br /&gt;beauty ?&lt;br /&gt;talent ?&lt;br /&gt;discretion ?&lt;br /&gt;pace ?&lt;br /&gt;elegance ?&lt;br /&gt;delicacy ?&lt;br /&gt;attention given to things ?&lt;br /&gt;interest not pretends ?&lt;br /&gt;one in particular, all these at once ?&lt;br /&gt;if we don't give a certain attention, we can easily pass through these two formidables eclipses of  named well, MM Christian Quast and Markus Newton - Aquarell refuses to marked a feature, and practices the art of elegant luminous opacity - the matter is marvelously distant but clearly marked. &lt;br /&gt;A watercoloured weapon !&lt;br /&gt;&lt;br /&gt;Format :: digital&lt;br /&gt;Location :: &lt;a href="http://kreislauf.org/label/2007/02/kreislauf-009.html"&gt;kreislauf&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/24079749-5868473995591774162?l=massard.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://massard.blogspot.com/feeds/5868473995591774162/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=24079749&amp;postID=5868473995591774162&amp;isPopup=true' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/5868473995591774162'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/5868473995591774162'/><link rel='alternate' type='text/html' href='http://massard.blogspot.com/2007/02/aquarell-lateral-position.html' title='aquarell :: lateral position'/><author><name>thierry massard</name><uri>http://www.blogger.com/profile/08698810450689981475</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-4KpEUL05dzQ/TgrB2q1Dy6I/AAAAAAAAF4w/FPy_-k17XPY/s220/662%2B210.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-24079749.post-4955290276539797603</id><published>2007-02-12T18:14:00.002+01:00</published><updated>2011-06-14T10:45:28.492+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Sergi Saldaña'/><category scheme='http://www.blogger.com/atom/ns#' term='abdicate cell'/><title type='text'>Sergi Saldaña :: the questionnaire</title><content type='html'>:: the questionnaire &lt;span style="font-style: italic;"&gt;is based on the original "questionnaire of Marcel Proust", created by Antoinette Faure around 1890.&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/24079749-4955290276539797603?l=massard.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://the-questionnaire.blogspot.com/2007/02/sergi-saldaa.html' title='Sergi Saldaña :: the questionnaire'/><link rel='replies' type='application/atom+xml' href='http://massard.blogspot.com/feeds/4955290276539797603/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=24079749&amp;postID=4955290276539797603&amp;isPopup=true' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/4955290276539797603'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/4955290276539797603'/><link rel='alternate' type='text/html' href='http://massard.blogspot.com/2007/02/sergi-saldaa-questionnaire.html' title='Sergi Saldaña :: the questionnaire'/><author><name>thierry massard</name><uri>http://www.blogger.com/profile/08698810450689981475</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-4KpEUL05dzQ/TgrB2q1Dy6I/AAAAAAAAF4w/FPy_-k17XPY/s220/662%2B210.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-24079749.post-9016891921004583921</id><published>2007-02-11T02:04:00.001+01:00</published><updated>2010-05-03T14:07:04.506+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='abdicate cell'/><category scheme='http://www.blogger.com/atom/ns#' term='petr drkula'/><title type='text'>Petr Drkula :: surfaces</title><content type='html'>A confrontation, Petr Drkula welcomes you to an experience of one hour and twenty minutes, a confrontation on your own capacity to observate your mind and physical responses to a chamanic sound experience - dilatation, expansion, anamorphosis, and all the words you want, you are just in front of a hypnotic and evolutionary harmonic loop.  Never the same never different, these ::surfaces are complex and multiples, but also absolutely enthralling.&lt;br /&gt;&lt;br /&gt;Format :: digital&lt;br /&gt;Location :: &lt;a href="http://zherji.net/abdicate/index.php?option=com_content&amp;task=view&amp;id=58&amp;Itemid=28"&gt;abdicate cell&lt;/a&gt;&lt;br /&gt;Related :: &lt;a href="http://massard.blogspot.com/2006/09/petr-drkula-shades-of-indian-summer.html"&gt;shades of indian summer&lt;/a&gt;&lt;br /&gt;Website :: &lt;a href="http://www.petrdrkula.com/"&gt;Petr Drkula&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/24079749-9016891921004583921?l=massard.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://massard.blogspot.com/feeds/9016891921004583921/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=24079749&amp;postID=9016891921004583921&amp;isPopup=true' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/9016891921004583921'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/9016891921004583921'/><link rel='alternate' type='text/html' href='http://massard.blogspot.com/2007/02/petr-drkula-surfaces.html' title='Petr Drkula :: surfaces'/><author><name>thierry massard</name><uri>http://www.blogger.com/profile/08698810450689981475</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-4KpEUL05dzQ/TgrB2q1Dy6I/AAAAAAAAF4w/FPy_-k17XPY/s220/662%2B210.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-24079749.post-343874030287351356</id><published>2007-02-09T11:42:00.002+01:00</published><updated>2011-06-14T10:46:12.685+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='irish'/><title type='text'>Irish :: the questionnaire</title><content type='html'>:: the questionnaire &lt;span style="font-style: italic;"&gt;is based on the original "questionnaire of Marcel Proust", created by Antoinette Faure around 1890.&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/24079749-343874030287351356?l=massard.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://the-questionnaire.blogspot.com/2007/02/irish.html' title='Irish :: the questionnaire'/><link rel='replies' type='application/atom+xml' href='http://massard.blogspot.com/feeds/343874030287351356/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=24079749&amp;postID=343874030287351356&amp;isPopup=true' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/343874030287351356'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/343874030287351356'/><link rel='alternate' type='text/html' href='http://massard.blogspot.com/2007/02/irish-questionnaire.html' title='Irish :: the questionnaire'/><author><name>thierry massard</name><uri>http://www.blogger.com/profile/08698810450689981475</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-4KpEUL05dzQ/TgrB2q1Dy6I/AAAAAAAAF4w/FPy_-k17XPY/s220/662%2B210.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-24079749.post-4795998278222174427</id><published>2007-02-07T15:59:00.001+01:00</published><updated>2010-05-03T14:07:54.526+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='mr.modular'/><title type='text'>Mr.Modular :: stepseq jams/revenge, at last</title><content type='html'>That's terrible my dear friends, but that's a fact "we only lend to rich persons" … The very young netlabel moov is … very very very fortunate. Inaugurated a few days ago, and based on an interesting concept of a coming release, each month (audio+video), the new project of our recent questionnaire guest, Max Marlow, have all good reasons to feel lucky, happy, beautiful (and in good health) with this first reference :: Mr.Modular - stepseq jams/revenge, at last&lt;br /&gt;A very shaped sound, sharp and intelligent construction, 11 supra-seductive tracks dominated by titles with so promising names : "pattern group toogle", "happy raver", "scream your mighty filter" or the pure electronica gem "as they descent", :: stepseq jams/revenge, at last, announces some great references to come, and beautiful days … as rich people, we now will supervise our interests.&lt;br /&gt;&lt;br /&gt;Format :: digital&lt;br /&gt;Location :: &lt;a href="http://moov.moozi.org/"&gt;moov&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/24079749-4795998278222174427?l=massard.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://massard.blogspot.com/feeds/4795998278222174427/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=24079749&amp;postID=4795998278222174427&amp;isPopup=true' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/4795998278222174427'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/4795998278222174427'/><link rel='alternate' type='text/html' href='http://massard.blogspot.com/2007/02/mrmodular-stepseq-jamsrevenge-at-last.html' title='Mr.Modular :: stepseq jams/revenge, at last'/><author><name>thierry massard</name><uri>http://www.blogger.com/profile/08698810450689981475</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-4KpEUL05dzQ/TgrB2q1Dy6I/AAAAAAAAF4w/FPy_-k17XPY/s220/662%2B210.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-24079749.post-3588750761500125154</id><published>2007-02-04T11:44:00.002+01:00</published><updated>2010-05-03T14:08:29.494+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='aquietbump'/><category scheme='http://www.blogger.com/atom/ns#' term='sardinia bass legalize'/><title type='text'>Sardinia Bass Legalize :: sardinia bass legalize</title><content type='html'>Mainly inspired by the Sardegna island landscapes, King Kietu and Sensitivedub (aka Sardinia Bass Legalize) are the authors of the splendid dub-soundtrack of a road movie, panoramic camera in overflight with a few centimetres above the ground. &lt;br /&gt;Sometimes desertic with orientalism imprint, never arid, these 6 minimalist refinements of SBL are, mostly convincing than any tourism office booklet.&lt;br /&gt;&lt;br /&gt;Format :: digital&lt;br /&gt;Location :: &lt;a href="http://www.aquietbump.com/aqbmp005.html"&gt;aquietbump&lt;/a&gt;&lt;br /&gt;Website :: &lt;a href="http://www.sardiniabasslegalize.com/"&gt;Sardinia Bass Legalize&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Website :: &lt;a href="http://www.sardegna.com/"&gt;Sardegna tourism-office&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/24079749-3588750761500125154?l=massard.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://massard.blogspot.com/feeds/3588750761500125154/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=24079749&amp;postID=3588750761500125154&amp;isPopup=true' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/3588750761500125154'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/3588750761500125154'/><link rel='alternate' type='text/html' href='http://massard.blogspot.com/2007/02/sardinia-bass-legalize-st.html' title='Sardinia Bass Legalize :: sardinia bass legalize'/><author><name>thierry massard</name><uri>http://www.blogger.com/profile/08698810450689981475</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-4KpEUL05dzQ/TgrB2q1Dy6I/AAAAAAAAF4w/FPy_-k17XPY/s220/662%2B210.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-24079749.post-5624179120721035097</id><published>2007-02-01T13:52:00.002+01:00</published><updated>2010-05-03T14:08:42.541+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='irish'/><title type='text'>ID (irish+DUFF) :: IDEP</title><content type='html'>Emulsion vs. Hybridization ? as in a course of chemistry, let's observe the fundamentals (with a "s")&lt;br /&gt;It should be admitted that, finally, the explosion of this fabulous hybridization of abstract hiphop did not have happened… a great disappointment for all those which could see in there a true opportunity for a growing old electronica. Then, depressed, heartbreaking Lex-NinjaTune-Anticon amateurs have gone away to other unknown pleasures. Anyway, here are coming good news for these, they can come back to enjoy this perfect "emulsion" between the japanese mechanical and ultra-lyrical flow of Duff and the sophisticated arrangments of its compatriot, Irie Yoshihisa (aka IRISH).&lt;br /&gt;Opening on a half success track "black sun swing" (a bit too hiphop over-produced) the ep is coming on very sensitive bleep conjunction ("cell") and "desire” will certainly see breaking down any resistance. "ツツマレテク" (tsutsumareteku) confirms a kind of quintessence of the incur emulsion. Funny how "love me" is giving us the choice between pure and sentimental feelings and mmh … other love ways. The ::ID ep is closing on a "bonus beats" which have some great difficulties in hide the melodic digression of which we know, that Irish is so fond of delicacies.&lt;br /&gt;、紳士本当にありがとう&lt;br /&gt;&lt;br /&gt;Format :: digital&lt;br /&gt;Location :: &lt;a href="http://flamingo.studio-web.net/"&gt;flamingo generation&lt;/a&gt;&lt;br /&gt;Blog :: &lt;a href="http://blog.drecom.jp/irish/"&gt;Irish&lt;/a&gt;&lt;br /&gt;Blog :: &lt;a href="http://5w1h-duff.blogspot.com/"&gt;DUFF&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Related :: &lt;a href="http://massard.blogspot.com/2006/03/irish-pretty-album.html"&gt;Irish - the pretty album&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/24079749-5624179120721035097?l=massard.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://massard.blogspot.com/feeds/5624179120721035097/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=24079749&amp;postID=5624179120721035097&amp;isPopup=true' title='1 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/5624179120721035097'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/5624179120721035097'/><link rel='alternate' type='text/html' href='http://massard.blogspot.com/2007/02/id-irishduff-idep.html' title='ID (irish+DUFF) :: IDEP'/><author><name>thierry massard</name><uri>http://www.blogger.com/profile/08698810450689981475</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-4KpEUL05dzQ/TgrB2q1Dy6I/AAAAAAAAF4w/FPy_-k17XPY/s220/662%2B210.jpg'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-24079749.post-8401061304772659367</id><published>2007-01-29T18:15:00.002+01:00</published><updated>2011-06-14T10:48:44.370+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='max marlow'/><title type='text'>Max Marlow :: the questionnaire</title><content type='html'>:: the questionnaire is based on the "original questionnaire of Marcel Proust", created by Antoinette Faure around 1890.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/24079749-8401061304772659367?l=massard.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://the-questionnaire.blogspot.com/2007/01/max-marlow.html' title='Max Marlow :: the questionnaire'/><link rel='replies' type='application/atom+xml' href='http://massard.blogspot.com/feeds/8401061304772659367/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=24079749&amp;postID=8401061304772659367&amp;isPopup=true' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/8401061304772659367'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/8401061304772659367'/><link rel='alternate' type='text/html' href='http://massard.blogspot.com/2007/01/max-marlow-questionnaire.html' title='Max Marlow :: the questionnaire'/><author><name>thierry massard</name><uri>http://www.blogger.com/profile/08698810450689981475</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-4KpEUL05dzQ/TgrB2q1Dy6I/AAAAAAAAF4w/FPy_-k17XPY/s220/662%2B210.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-24079749.post-4940654133689586989</id><published>2007-01-22T20:35:00.001+01:00</published><updated>2010-05-03T14:09:26.083+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='camomille'/><category scheme='http://www.blogger.com/atom/ns#' term='xedh'/><title type='text'>Xedh :: Composition in red</title><content type='html'>- as a need to return to mental language&lt;br /&gt;- d'abord il y a cette irrépressible envie de revenir au langage mental.&lt;br /&gt;dédale de notes manuscrites diverses / pensées fugaces, vagues impressions initiales puis l'oubli instantané&lt;br /&gt;- esta necesidad de volver de nuevo a mi lengua materna, a cada momento de confrontación a esta realización&lt;br /&gt;&lt;br /&gt;the word is said - confrontation, or was it the other one, ambitious, from the (good) words of camomille presentation - ambitious … this terrible word, which sometimes exerts a repulsive fascination.&lt;br /&gt;There is this amplitude, the density of a formal, un-narrative suggestion of reality filtered through the abstractive prism of Xedh composition, and these constant calls to break up, if you definitively refuse to look beyond.&lt;br /&gt;&lt;br /&gt;Impassibility - la fuerza de la pasividad? as a "half" invitation to join in, Sara Paniagua introduces us, with an absolute skill, to 4 beautiful readings of the Miguel A. García vision. half invitation ? yes, as a refusal to any voyeurist intrusion, these videos seem to materialize a frontier between two concrete realities - one and main on the screen, as an initiatic advance, a reality highly transfigured through the combined presence of Anna Vila Serra costumes, reinforcing, at his best, this border (edge) between two worlds  and another reality (duality) all populated by human ghost-tourists (whom strangely look like us) sauntering without apparent purpose.&lt;br /&gt;&lt;br /&gt;::composition in red is undoubtedly a major work in the course of Xedh, as much as a premise mutation to new forms of exploration  for a netculture and scene, removed from any format nostalgia.&lt;br /&gt;&lt;br /&gt;* And finally, there is the glance of this woman who is posed intensely on you before she very slowly closes again the eyelids - ultimate introspective fold? Renouncement like an art...&lt;br /&gt;* Et enfin, il y a le regard de cette femme qui se pose intensément sur vous avant qu'elle ne referme très lentement les paupières - ultime repli introspectif ? le renoncement comme un art …&lt;br /&gt;* Y finalmente, hay la mirada de esta mujer que se plantea intensamente sobre ustedes antes de que vuelva a cerrar muy lentamente los párpados - último repliegue introspectivo? la renuncia como un arte …&lt;br /&gt;&lt;br /&gt;*ref. video 1 / 03:40-03:55&lt;br /&gt;&lt;br /&gt;Format :: digital / audio+video &lt;br /&gt;Location :: &lt;a href="http://camomille.genshimedia.com/097.htm"&gt;camomille&lt;/a&gt;&lt;br /&gt;Blog :: &lt;a href="http://xedh.blogspot.com/"&gt;Xedh&lt;/a&gt;&lt;br /&gt;Related :: &lt;a href="http://massard.blogspot.com/2006/11/xedh-rencloser-ep.html"&gt;rencloser ep&lt;/a&gt;&lt;br /&gt;Related :: &lt;a href="http://massard.blogspot.com/2006/03/xedh-sortzen.html"&gt;sort-zen&lt;/a&gt;&lt;br /&gt;traducción española aproximada con los servicios de systran&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/24079749-4940654133689586989?l=massard.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://massard.blogspot.com/feeds/4940654133689586989/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=24079749&amp;postID=4940654133689586989&amp;isPopup=true' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/4940654133689586989'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/4940654133689586989'/><link rel='alternate' type='text/html' href='http://massard.blogspot.com/2007/01/xedh-composition-in-red-7-movements.html' title='Xedh :: Composition in red'/><author><name>thierry massard</name><uri>http://www.blogger.com/profile/08698810450689981475</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-4KpEUL05dzQ/TgrB2q1Dy6I/AAAAAAAAF4w/FPy_-k17XPY/s220/662%2B210.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-24079749.post-3317775927161007702</id><published>2007-01-16T18:25:00.001+01:00</published><updated>2010-05-03T14:09:45.122+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='dissolved'/><title type='text'>Dissolved :: pyritized ray stories</title><content type='html'>Except the artwork, at the very least debatable, is it necessary to be ablaze to enjoy at their Just and valorous natural, this ray of the gold of insane and all these stories which they hawk ? &lt;br /&gt;the answer is yes !&lt;br /&gt;Yes, and if you are not used to give your unconditional feelings to generosity and luxuriance, you will probably have some reason to go away from this release, and why not also from these words … checked !&lt;br /&gt;&lt;br /&gt;Format :: digital&lt;br /&gt;Location :: &lt;a href="http://retropublik.net/"&gt;retropublik&lt;/a&gt;&lt;br /&gt;Website :: &lt;a href="http://www.dissolvedamberrooms.com/"&gt;Dissolved&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;thanks to &lt;a href="http://dico.isc.cnrs.fr/dico_html/en/index.html"&gt;isc.cnrs&lt;/a&gt; for the "ablaze" translation&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/24079749-3317775927161007702?l=massard.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://massard.blogspot.com/feeds/3317775927161007702/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=24079749&amp;postID=3317775927161007702&amp;isPopup=true' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/3317775927161007702'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/3317775927161007702'/><link rel='alternate' type='text/html' href='http://massard.blogspot.com/2007/01/dissolved-pyritized-ray-stories.html' title='Dissolved :: pyritized ray stories'/><author><name>thierry massard</name><uri>http://www.blogger.com/profile/08698810450689981475</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-4KpEUL05dzQ/TgrB2q1Dy6I/AAAAAAAAF4w/FPy_-k17XPY/s220/662%2B210.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-24079749.post-8315708483388878252</id><published>2007-01-13T00:47:00.001+01:00</published><updated>2010-05-03T14:10:06.112+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='stephen walter'/><category scheme='http://www.blogger.com/atom/ns#' term='zymogen'/><title type='text'>Stephen Walter :: monocline</title><content type='html'>Far from ::das interspects or ::recapulatory (both for Retropublik), far also from last year's collaboration with David Velez (::data transfer of Lezrod for zym.) is coming this album of Stephen Walter, a release inaugurating a "conceptual mutation" for the label of Modena. Yes, it should be said , through the "poeticlinical" camera objectives of Mario Aldovini, we were used to move in some botanical mental walks, looking sometimes to rare growing plants under the beneficent protection of glasshouses in form of jewel cases … Then now are coming the minerality times for zymogen (with a nice contribution of Laurent Batailley), and Stephen Walter is the first craftsman invited to this new approach on things.&lt;br /&gt;Abstraction and cold fusion (by opposite to the traditional scheme) seem to be the main abjectives and qualities which come first on mind through ::monocline, and "new heart" which opens the release is a slow imersion in apparent traditional ambient soundscapes. Like a second layer with the general matter, “red shift”, which follows, reinforces this feeling of descriptive slow dematerialization. No time to come back (where?) , impresses with solemnity, "tone" invits us to go deeper. Then from now, one thing is certain, nobody will remain insensitive with the mostly impressive and enigmatic density of “green shift” opening a second phase, and introducing two "section ", where we cross some reminiscences of reality posed on a particularly emotional harmonic texture, delicately interweaving. "before you eyes" still plays with some emotional figures, as an overflight with telescopic glance. Then "rising" which is ending the netaudio, is a kind of revelation, the result of an introspective "emulsion" of senses and, from now, so far from any archaeological or sedimentary layers.&lt;br /&gt;&lt;br /&gt;the first beautiful stone in a beautiful garden.&lt;br /&gt;&lt;br /&gt;Format :: digital&lt;br /&gt;Location :: &lt;a href="http://www.zymogen.net/releases/zym011/"&gt;zymogen&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/24079749-8315708483388878252?l=massard.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://massard.blogspot.com/feeds/8315708483388878252/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=24079749&amp;postID=8315708483388878252&amp;isPopup=true' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/8315708483388878252'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/8315708483388878252'/><link rel='alternate' type='text/html' href='http://massard.blogspot.com/2007/01/stephen-walter-monocline.html' title='Stephen Walter :: monocline'/><author><name>thierry massard</name><uri>http://www.blogger.com/profile/08698810450689981475</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-4KpEUL05dzQ/TgrB2q1Dy6I/AAAAAAAAF4w/FPy_-k17XPY/s220/662%2B210.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-24079749.post-4528609564865233023</id><published>2007-01-12T15:40:00.001+01:00</published><updated>2010-05-03T14:10:38.553+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='abdicate cell'/><category scheme='http://www.blogger.com/atom/ns#' term='doping mozga'/><title type='text'>Doping Mozga :: echoes ep</title><content type='html'>It is through a becoming Third I, that re-appears this ::echoes ep of Doping Mozga and it is a pure winter delight.   A delight all made of a coming "aurora borealis" sheeted in an evanescent worthy gleam, a delight which innocently takes you on board of a technoid temptation "minute space travel", a delight which unfortunately ends on a "mistake", vintage attitude.  Once again, with a certain lightness of heart and pointed taste, Abdicate Cell confirms our interest and yours, we now hope&lt;br /&gt;&lt;br /&gt;Format :: digital&lt;br /&gt;Location :: &lt;a href="http://zherji.net/abdicate/index.php?option=com_content&amp;task=view&amp;id=53&amp;Itemid=28"&gt;abdicate cell&lt;/a&gt;&lt;br /&gt;Blog :: &lt;a href="http://hellycherry.blogspot.com/"&gt;Helly Cherry&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/24079749-4528609564865233023?l=massard.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://massard.blogspot.com/feeds/4528609564865233023/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=24079749&amp;postID=4528609564865233023&amp;isPopup=true' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/4528609564865233023'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/4528609564865233023'/><link rel='alternate' type='text/html' href='http://massard.blogspot.com/2007/01/doping-mozga-echoes-ep.html' title='Doping Mozga :: echoes ep'/><author><name>thierry massard</name><uri>http://www.blogger.com/profile/08698810450689981475</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-4KpEUL05dzQ/TgrB2q1Dy6I/AAAAAAAAF4w/FPy_-k17XPY/s220/662%2B210.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-24079749.post-9052968880924707012</id><published>2007-01-11T08:05:00.001+01:00</published><updated>2010-05-03T14:11:02.732+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='red unit'/><title type='text'>Red Unit :: arrival</title><content type='html'>"arrival" which opens this new release of Red Unit, "resembles" a bit too much to the classic's Brian Eno, track "fractal zoom". Red Unit probably forgot to signal that it is about a "tribute" ...&lt;br /&gt;Anyway, here are the reference of the original album ::&lt;br /&gt;&lt;br /&gt;Artist :: Brian Eno &lt;br /&gt;Title :: Nerve Net &lt;br /&gt;Art and design :: Brian Eno &amp; Wordsalad&lt;br /&gt;Date of release :: 1992&lt;br /&gt;&lt;br /&gt;Format :: cd&lt;br /&gt;copyRights :: yes&lt;br /&gt;Location :: &lt;a href="http://www.allsaintsrecords.com/hncd_1477.htm"&gt;all saints&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Due to our relevant interest to rediscover the original, we finally have abandoned the idea and care to listen to the continuation of the Red Unit release.&lt;br /&gt;&lt;br /&gt;Format :: digital&lt;br /&gt;Location :: &lt;a href="http://quietlounge.com/blog/"&gt;quiet lounge&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/24079749-9052968880924707012?l=massard.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://massard.blogspot.com/feeds/9052968880924707012/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=24079749&amp;postID=9052968880924707012&amp;isPopup=true' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/9052968880924707012'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/9052968880924707012'/><link rel='alternate' type='text/html' href='http://massard.blogspot.com/2007/01/red-unit-arrival.html' title='Red Unit :: arrival'/><author><name>thierry massard</name><uri>http://www.blogger.com/profile/08698810450689981475</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-4KpEUL05dzQ/TgrB2q1Dy6I/AAAAAAAAF4w/FPy_-k17XPY/s220/662%2B210.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-24079749.post-7709449972119673054</id><published>2007-01-07T08:58:00.001+01:00</published><updated>2010-05-03T14:11:22.909+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='orchitekt'/><title type='text'>Ohrchitekt :: klappe die zwote</title><content type='html'>it is impossible, nor moreover reasonable, to remain insensitive&lt;br /&gt;more than a few seconds to the evolutive sound in building of Ohrchitekt,&lt;br /&gt;you like or hate it immediately … we have chosen&lt;br /&gt;&lt;br /&gt;Format :: digital&lt;br /&gt;Location :: &lt;a href="http://www.pharmacom-productions.de/pharmacom-rec/releases/pcr027online160.php"&gt;pharmacom records&lt;/a&gt;&lt;br /&gt;Website :: &lt;a href="http://www.ohrchitekt.de/"&gt;Ohrchitekt&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/24079749-7709449972119673054?l=massard.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://massard.blogspot.com/feeds/7709449972119673054/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=24079749&amp;postID=7709449972119673054&amp;isPopup=true' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/7709449972119673054'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/7709449972119673054'/><link rel='alternate' type='text/html' href='http://massard.blogspot.com/2007/01/ohrchitekt-klappe-die-zwote.html' title='Ohrchitekt :: klappe die zwote'/><author><name>thierry massard</name><uri>http://www.blogger.com/profile/08698810450689981475</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-4KpEUL05dzQ/TgrB2q1Dy6I/AAAAAAAAF4w/FPy_-k17XPY/s220/662%2B210.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-24079749.post-6765451520797738769</id><published>2007-01-06T19:54:00.001+01:00</published><updated>2010-05-03T14:11:53.026+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='sleepy town manufacture'/><category scheme='http://www.blogger.com/atom/ns#' term='sutemos'/><title type='text'>Sleepy Town Manufacture : inspired by you</title><content type='html'>warm and familiar, some too rare sensations.&lt;br /&gt;&lt;br /&gt;Format :: digital&lt;br /&gt;Location :: &lt;a href="http://www.sutemos.net/en/"&gt;sutemos&lt;/a&gt;&lt;br /&gt;Website :: &lt;a href="http://www.stown.org/"&gt;Sleepy Town Manufacture&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/24079749-6765451520797738769?l=massard.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://massard.blogspot.com/feeds/6765451520797738769/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=24079749&amp;postID=6765451520797738769&amp;isPopup=true' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/6765451520797738769'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/6765451520797738769'/><link rel='alternate' type='text/html' href='http://massard.blogspot.com/2007/01/sleepy-town-manufacture-inspired-by-you.html' title='Sleepy Town Manufacture : inspired by you'/><author><name>thierry massard</name><uri>http://www.blogger.com/profile/08698810450689981475</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-4KpEUL05dzQ/TgrB2q1Dy6I/AAAAAAAAF4w/FPy_-k17XPY/s220/662%2B210.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-24079749.post-7053463172445103137</id><published>2007-01-01T09:38:00.002+01:00</published><updated>2010-05-03T14:12:31.856+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='fred debief'/><category scheme='http://www.blogger.com/atom/ns#' term='kreislauf'/><category scheme='http://www.blogger.com/atom/ns#' term='ascalaphe'/><title type='text'>ascalaphe :: home trips</title><content type='html'>is "bleeding minarets" one of the most important track of these strange times ?&lt;br /&gt;&lt;br /&gt;Awakening or societal report, :: home trips is an album which, by evidence, goes beyond the only musical medium and it is quite comforting to imagine the positive consequences of the reflexions caused by such release.&lt;br /&gt;&lt;br /&gt;Format :: digital&lt;br /&gt;Location :: &lt;a href="http://kreislauf.org/label/2007/01/kreislauf-006.html"&gt;kreislauf label&lt;/a&gt;&lt;br /&gt;Website :: &lt;a href="http://fdbf.net/index.php?group=1&amp;album_id=153"&gt;fdbf&lt;/a&gt;&lt;br /&gt;the questionnaire :: &lt;a href="http://massard.blogspot.com/2006/10/fred-debief-questionnaire.html"&gt;Fred Debief&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/24079749-7053463172445103137?l=massard.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://massard.blogspot.com/feeds/7053463172445103137/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=24079749&amp;postID=7053463172445103137&amp;isPopup=true' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/7053463172445103137'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/7053463172445103137'/><link rel='alternate' type='text/html' href='http://massard.blogspot.com/2007/01/upcoming-review.html' title='ascalaphe :: home trips'/><author><name>thierry massard</name><uri>http://www.blogger.com/profile/08698810450689981475</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-4KpEUL05dzQ/TgrB2q1Dy6I/AAAAAAAAF4w/FPy_-k17XPY/s220/662%2B210.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-24079749.post-6503966744323593378</id><published>2006-12-30T17:06:00.001+01:00</published><updated>2010-05-03T14:12:54.900+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='serein'/><category scheme='http://www.blogger.com/atom/ns#' term='OCP'/><title type='text'>ocp :: atmos</title><content type='html'>Huw Roberts must have two great reasons to be glad, he just finishes the year 2006 with great news, &lt;br /&gt;first is a brand new serein website and the second one is a great release from João Ricardo declining 5 beautiful and conceptual pieces under the title :: atmos.&lt;br /&gt;Formal minimalism is required ... elegance also&lt;br /&gt;&lt;br /&gt;Format :: digital&lt;br /&gt;Location :: &lt;a href="http://www.serein.co.uk/music/ser012/"&gt;serein&lt;/a&gt;&lt;br /&gt;Website :: &lt;a href="http://ocp.pt.vu/"&gt;ocp&lt;/a&gt;&lt;br /&gt;Related :: &lt;a href="http://massard.blogspot.com/2006/11/ocp-safe-sex-some-drugs-and-no.html"&gt;safe sex, some drugs and no rock'n'roll&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/24079749-6503966744323593378?l=massard.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://massard.blogspot.com/feeds/6503966744323593378/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=24079749&amp;postID=6503966744323593378&amp;isPopup=true' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/6503966744323593378'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/6503966744323593378'/><link rel='alternate' type='text/html' href='http://massard.blogspot.com/2006/12/ocp-atmos.html' title='ocp :: atmos'/><author><name>thierry massard</name><uri>http://www.blogger.com/profile/08698810450689981475</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-4KpEUL05dzQ/TgrB2q1Dy6I/AAAAAAAAF4w/FPy_-k17XPY/s220/662%2B210.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-24079749.post-6708749420129932509</id><published>2006-12-28T17:32:00.001+01:00</published><updated>2010-05-03T14:13:10.387+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='steve reich'/><title type='text'>Steve Reich :: piano phase (performed by Peter Aidu)</title><content type='html'>Between pretty boredom and floating time virtuosity, what about a quite innocent espieglery ? Let's just imagine the intervention of a John Cage at his best, practising a surprised intervention in order to “prepared” the pianos… interesting speculative fiction, but improbable meeting, a pity ?&lt;br /&gt;&lt;br /&gt;Then, far from a formal prime impression, remains a pure mechanical emotion, an evidence.&lt;br /&gt;&lt;br /&gt;Format :: digital&lt;br /&gt;Location :: &lt;a href="http://top-40.org/top09/top09.html"&gt;top 40&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/24079749-6708749420129932509?l=massard.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://massard.blogspot.com/feeds/6708749420129932509/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=24079749&amp;postID=6708749420129932509&amp;isPopup=true' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/6708749420129932509'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/6708749420129932509'/><link rel='alternate' type='text/html' href='http://massard.blogspot.com/2006/12/steve-reich-piano-phase-performed-peter.html' title='Steve Reich :: piano phase (performed by Peter Aidu)'/><author><name>thierry massard</name><uri>http://www.blogger.com/profile/08698810450689981475</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-4KpEUL05dzQ/TgrB2q1Dy6I/AAAAAAAAF4w/FPy_-k17XPY/s220/662%2B210.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-24079749.post-2213854180013685337</id><published>2006-12-24T14:55:00.001+01:00</published><updated>2010-05-03T14:13:30.605+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='marcexl'/><title type='text'>MarceXL :: second mix (episode II)</title><content type='html'>in fact, all is question of intensity.&lt;br /&gt;The progressive house of MarceXL is often ... deeply intense&lt;br /&gt;&lt;br /&gt;Format :: digital&lt;br /&gt;Location :: &lt;a href="http://kreislauf.org/label/2006/12/kreislauf-005.html"&gt;kreislauf label&lt;/a&gt;&lt;br /&gt;Website :: &lt;a href="http://gonzalopedreira.com.ar/mxl/"&gt;Mxl by MarceXL&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/24079749-2213854180013685337?l=massard.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://massard.blogspot.com/feeds/2213854180013685337/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=24079749&amp;postID=2213854180013685337&amp;isPopup=true' title='1 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/2213854180013685337'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/2213854180013685337'/><link rel='alternate' type='text/html' href='http://massard.blogspot.com/2006/12/marcelxl-second-mix-episode-ii.html' title='MarceXL :: second mix (episode II)'/><author><name>thierry massard</name><uri>http://www.blogger.com/profile/08698810450689981475</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-4KpEUL05dzQ/TgrB2q1Dy6I/AAAAAAAAF4w/FPy_-k17XPY/s220/662%2B210.jpg'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-24079749.post-1349114350168126507</id><published>2006-12-23T13:46:00.001+01:00</published><updated>2010-05-03T14:13:47.744+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='max marlow'/><title type='text'>Max Marlow :: afterthought</title><content type='html'>Happy latecomers! thus, for all those who will have unfortunately missed some preceding episodes, this:: afterthought of Max Marlow is a true godsend and an excellent way of assessing all the quality of the Berliner with the cap - this compilation covering various projects (retropublik, project 168…) can only charm the amateurs of a demanding particular electronic and as much intelligent - a true happiness for the ears and an authentic compliment for the mind.&lt;br /&gt;&lt;br /&gt;Format :: digital / compact disc&lt;br /&gt;Location :: &lt;a href="http://maxmarlow.watmm.com/"&gt;watmm records&lt;/a&gt;&lt;br /&gt;Blog :: &lt;a href="http://maxmarlow.untergrund.net/"&gt;Max Marlow&lt;/a&gt;&lt;br /&gt;Related :: &lt;a href="http://massard.blogspot.com/2006/12/max-marlow-half-year.html"&gt;half a year&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/24079749-1349114350168126507?l=massard.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://massard.blogspot.com/feeds/1349114350168126507/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=24079749&amp;postID=1349114350168126507&amp;isPopup=true' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/1349114350168126507'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/1349114350168126507'/><link rel='alternate' type='text/html' href='http://massard.blogspot.com/2006/12/max-marlow-afterthought.html' title='Max Marlow :: afterthought'/><author><name>thierry massard</name><uri>http://www.blogger.com/profile/08698810450689981475</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-4KpEUL05dzQ/TgrB2q1Dy6I/AAAAAAAAF4w/FPy_-k17XPY/s220/662%2B210.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-24079749.post-166470936744355327</id><published>2006-12-22T18:19:00.002+01:00</published><updated>2011-06-14T10:49:59.453+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='scanner'/><category scheme='http://www.blogger.com/atom/ns#' term='robin rimbaud'/><title type='text'>Robin Rimbaud :: the questionnaire</title><content type='html'>:: the questionnaire &lt;span style="font-style: italic;"&gt;is based on the original "questionnaire of Marcel Proust", created by Antoinette Faure around 1890.&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/24079749-166470936744355327?l=massard.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://the-questionnaire.blogspot.com/2006/12/robin-rimbaud.html' title='Robin Rimbaud :: the questionnaire'/><link rel='replies' type='application/atom+xml' href='http://massard.blogspot.com/feeds/166470936744355327/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=24079749&amp;postID=166470936744355327&amp;isPopup=true' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/166470936744355327'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/166470936744355327'/><link rel='alternate' type='text/html' href='http://massard.blogspot.com/2006/12/robin-rimbaud-questionnaire.html' title='Robin Rimbaud :: the questionnaire'/><author><name>thierry massard</name><uri>http://www.blogger.com/profile/08698810450689981475</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-4KpEUL05dzQ/TgrB2q1Dy6I/AAAAAAAAF4w/FPy_-k17XPY/s220/662%2B210.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-24079749.post-5617286945716702861</id><published>2006-12-19T14:28:00.001+01:00</published><updated>2010-05-03T14:14:24.672+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='ijo'/><title type='text'>ijo :: untitled ep</title><content type='html'>This short ::untitled ep of ijo will, for sure, be the happiness of all exclusive drill'n bass addicts. &lt;br /&gt;The others will probably change their opinion on, and It might be "Frequa Gembh" which closes the ep, one of the reasons of this beneficient change of mind ...&lt;br /&gt;&lt;br /&gt;Format :: digital&lt;br /&gt;Location :: &lt;a href="http://www.plainaudio.com/experimental/releases/21.html"&gt;plainaudio&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/24079749-5617286945716702861?l=massard.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://massard.blogspot.com/feeds/5617286945716702861/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=24079749&amp;postID=5617286945716702861&amp;isPopup=true' title='1 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/5617286945716702861'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/5617286945716702861'/><link rel='alternate' type='text/html' href='http://massard.blogspot.com/2006/12/ijo-untitled-ep.html' title='ijo :: untitled ep'/><author><name>thierry massard</name><uri>http://www.blogger.com/profile/08698810450689981475</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-4KpEUL05dzQ/TgrB2q1Dy6I/AAAAAAAAF4w/FPy_-k17XPY/s220/662%2B210.jpg'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-24079749.post-1077656273010223611</id><published>2006-12-18T17:15:00.002+01:00</published><updated>2011-06-14T11:12:00.574+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='damian'/><title type='text'>Damian :: the questionnaire</title><content type='html'>&lt;a href="http://bp1.blogger.com/_G7uBiRUQyfE/RYZpEfWcGRI/AAAAAAAAAAk/vsw13vkw_Cg/s1600-h/damian.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5009807161352263954" src="http://bp1.blogger.com/_G7uBiRUQyfE/RYZpEfWcGRI/AAAAAAAAAAk/vsw13vkw_Cg/s200/damian.jpg" style="cursor: hand; cursor: pointer;" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Your favourite virtue ::&lt;br /&gt;Kindness&lt;br /&gt;&lt;br /&gt;Your favourite qualities in a man ::&lt;br /&gt;I admire the 'resilience' of humans beings (their drive to continue with life in spite of tragedy or loss).&lt;br /&gt;I am also fascinated by the flip side of the coin. Humans are fallible creatures. A scar or a fault can (at times) help to heighten someone's beauty.&lt;br /&gt;&lt;br /&gt;Your favourite qualities in a woman ::&lt;br /&gt;As above.&lt;br /&gt;&lt;br /&gt;Your favourite occupation ::&lt;br /&gt;A wide variety of activities helps to keep things interesting (including work), but for the most part --&amp;gt; dancing, sleeping-in, and chilling with my brother and sister, are among my preferences.&lt;br /&gt;&lt;br /&gt;Your idea of happiness ::&lt;br /&gt;Bitches and Money.&lt;br /&gt;Cut! Damian, Seriously!&lt;br /&gt;Take Two - Action! ...&lt;br /&gt;Embracing the romance of life. Remembering that it's a wonderful ride, no matter how rough it gets. Good things await you if you make the right moves (particularly on bitches with money).&lt;br /&gt;&lt;br /&gt;Your idea of misery ::&lt;br /&gt;Being abandoned.&lt;br /&gt;&lt;br /&gt;If not yourself, who would you be ::&lt;br /&gt;A bitch with money&lt;br /&gt;&lt;br /&gt;Where would you like to live ::&lt;br /&gt;Where the grass is greenest  &amp;gt;&amp;gt;  at the mo, that means back home in Australia (preferably Melbourne).&lt;br /&gt;&lt;br /&gt;Your favourite colour and flower ::&lt;br /&gt;Hmmm, not sure. For me it depends on how you mix and match it.&lt;br /&gt;Since seeing Spike Jonze's film, Adaptation, I really appreciate Orchids (delicate flowering plants that make out with the insects).&lt;br /&gt;&lt;br /&gt;Your favourite prose authors ::&lt;br /&gt;John Birmingham, Terence Kemp McKenna&lt;br /&gt;&lt;br /&gt;Your favourite poets ::&lt;br /&gt;Khalil Gibran&lt;br /&gt;&lt;br /&gt;Your favourite heroes in fiction ::&lt;br /&gt;- Hubert, in La Haine&lt;br /&gt;- Dean Corso, in The 9th Gate.&lt;br /&gt;- Agent Johnny Utah, in Point Break.&lt;br /&gt;- The Mute (Kaneshiro Takeshi), in Fallen Angels.&lt;br /&gt;&lt;br /&gt;Your favourite heroines in fiction ::&lt;br /&gt;- Elizabeth I (Cate Blanchett) in Elizabeth&lt;br /&gt;- Margot (Isabelle Adjani) in La Reine Margot&lt;br /&gt;- Michelle Reis, The killer's agent and babe in Fallen Angels.&lt;br /&gt;&lt;br /&gt;Your favourite painters and composers ::&lt;br /&gt;Favourite Visual Artists : Wong Kar Wai (Chinese Director), Christopher Doyle (Australian Cinematographer who works closely with Wong Kar Wai), MC Esher&lt;br /&gt;Favourite Musical Artists : Mike Patton, Lufth, Digitalverein, Gel-Sol, Motionfield, Delayscape, Randomajestiq, Cerebral, Autechre&lt;br /&gt;&lt;br /&gt;Your favourite heroes in real life ::&lt;br /&gt;People who lead by good example.&lt;br /&gt;&lt;br /&gt;Your favourite heroines in real life ::&lt;br /&gt;as above&lt;br /&gt;&lt;br /&gt;What character(s) in history do you most dislike ::&lt;br /&gt;Donald Rumsfield, Robert Mugabe, Mahmoud Ahmadinejad (and most other arrogant political figures with too much power, who encourage people to kill other people).&lt;br /&gt;&lt;br /&gt;Your favourite food and drink ::&lt;br /&gt;Miso Soup, Risotto, Gnocchi, Water, Red Wine, Nihonshu (Rice Wine)&lt;br /&gt;&lt;br /&gt;Your favourite names ::&lt;br /&gt;Maika&lt;br /&gt;Harue&lt;br /&gt;&lt;br /&gt;Your pet aversion ::&lt;br /&gt;Cigarettes&lt;br /&gt;&lt;br /&gt;The reform which you most estimate ::&lt;br /&gt;Greater dependency on green energy, as hydrocarbon reserves dry up and as we become more desperate to slow down the damage we are causing to the earth.&lt;br /&gt;&lt;br /&gt;The gift of the nature which I would like to have ::&lt;br /&gt;Warm Sunlight&lt;br /&gt;&lt;br /&gt;How I would like to die ::&lt;br /&gt;Gracefully and in style.&lt;br /&gt;&lt;br /&gt;What is your present state of mind ::&lt;br /&gt;Improving&lt;br /&gt;&lt;br /&gt;For what fault have you most toleration ::&lt;br /&gt;Christmas (C'mon, it's about giving right?)&lt;br /&gt;&lt;br /&gt;Your favourite mottos ::&lt;br /&gt;You know more than you think you do.&lt;br /&gt;&lt;br /&gt;18 décembre 2006&lt;br /&gt;&lt;br /&gt;Damian is one of two coordinators at Systrum Sistum : Radio Electronica.&lt;br /&gt;&lt;br /&gt;Website ::&lt;br /&gt;&lt;br /&gt;:: the questionnaire &lt;span style="font-style: italic;"&gt;is based on the original "questionnaire of Marcel Proust", created by Antoinette Faure around 1890.&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/24079749-1077656273010223611?l=massard.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://massard.blogspot.com/feeds/1077656273010223611/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=24079749&amp;postID=1077656273010223611&amp;isPopup=true' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/1077656273010223611'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/1077656273010223611'/><link rel='alternate' type='text/html' href='http://massard.blogspot.com/2006/12/damian-questionnaire.html' title='Damian :: the questionnaire'/><author><name>thierry massard</name><uri>http://www.blogger.com/profile/08698810450689981475</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-4KpEUL05dzQ/TgrB2q1Dy6I/AAAAAAAAF4w/FPy_-k17XPY/s220/662%2B210.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://bp1.blogger.com/_G7uBiRUQyfE/RYZpEfWcGRI/AAAAAAAAAAk/vsw13vkw_Cg/s72-c/damian.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-24079749.post-6653881472531839341</id><published>2006-12-18T13:54:00.001+01:00</published><updated>2010-05-03T14:14:59.751+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='rob lynam'/><category scheme='http://www.blogger.com/atom/ns#' term='multilink'/><title type='text'>Multilink magazine :: issue 04/06</title><content type='html'>contents :: &lt;br /&gt;Ian Francis / Miasmah / Cactus Island / Rachel Whiting / Rup / Zenvironments ...&lt;br /&gt;inescapable ? yes.&lt;br /&gt;&lt;br /&gt;Format :: pdf magazine&lt;br /&gt;Location :: &lt;a href="http://www.multilinkmagazine.com/issue_8.php"&gt;Multilink&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;the questionnaire :: &lt;a href="http://massard.blogspot.com/2006/09/rob-lynam-questionnaire.html"&gt;Rob Lynam&lt;/a&gt;&lt;br /&gt;v and r :: &lt;a href="http://massard.blogspot.com/2006/06/multilink-magazine-issue-0206.html"&gt;issue 02/06&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/24079749-6653881472531839341?l=massard.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://massard.blogspot.com/feeds/6653881472531839341/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=24079749&amp;postID=6653881472531839341&amp;isPopup=true' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/6653881472531839341'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/6653881472531839341'/><link rel='alternate' type='text/html' href='http://massard.blogspot.com/2006/12/multilink-magazine-issue-0406.html' title='Multilink magazine :: issue 04/06'/><author><name>thierry massard</name><uri>http://www.blogger.com/profile/08698810450689981475</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-4KpEUL05dzQ/TgrB2q1Dy6I/AAAAAAAAF4w/FPy_-k17XPY/s220/662%2B210.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-24079749.post-7282838104919130078</id><published>2006-12-16T14:58:00.001+01:00</published><updated>2010-05-03T14:15:19.985+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='qb'/><category scheme='http://www.blogger.com/atom/ns#' term='abdicate cell'/><title type='text'>QB :: abstract works</title><content type='html'>useless to tergiversate… is it sincerely useful to try the explanation of a game (Manichean) confronting a reality concrete, but schematic, with an abstraction (certainly less… concrete) but sometimes more authentic ?&lt;br /&gt;&lt;br /&gt;Following the excellent ep ::cycle of the nonless excellent moscovite musician, Qb, these ::abstract works  reveal an interesting and pertinent hybridation from harsch noise and voices, to unidentified post-bleep rhythm without forgetting a true, but very underground harmonic temptation.&lt;br /&gt;&lt;br /&gt;These are certainly abstract works, but they have also this intensified brightness of gems and abdicate cell netlabel seems to be the perfect jewel case.&lt;br /&gt;&lt;br /&gt;Format :: digital&lt;br /&gt;Location :: &lt;a href="http://zherji.net/abdicate/index.php?option=com_content&amp;task=view&amp;amp;amp;amp;id=50&amp;amp;Itemid=28"&gt;abdicate cell &lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/24079749-7282838104919130078?l=massard.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://massard.blogspot.com/feeds/7282838104919130078/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=24079749&amp;postID=7282838104919130078&amp;isPopup=true' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/7282838104919130078'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/7282838104919130078'/><link rel='alternate' type='text/html' href='http://massard.blogspot.com/2006/12/qb-abstract-works_16.html' title='QB :: abstract works'/><author><name>thierry massard</name><uri>http://www.blogger.com/profile/08698810450689981475</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-4KpEUL05dzQ/TgrB2q1Dy6I/AAAAAAAAF4w/FPy_-k17XPY/s220/662%2B210.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-24079749.post-1246587272001598504</id><published>2006-12-16T14:55:00.002+01:00</published><updated>2011-06-14T10:52:05.466+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='olivier umhauer'/><title type='text'>Olivier Umhauer :: the questionnaire</title><content type='html'>:: the questionnaire &lt;span style="font-style: italic;"&gt;is based on the original "questionnaire of Marcel Proust", created by Antoinette Faure around 1890.&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/24079749-1246587272001598504?l=massard.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://the-questionnaire.blogspot.com/2006/12/olivier-umhauer.html' title='Olivier Umhauer :: the questionnaire'/><link rel='replies' type='application/atom+xml' href='http://massard.blogspot.com/feeds/1246587272001598504/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=24079749&amp;postID=1246587272001598504&amp;isPopup=true' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/1246587272001598504'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/1246587272001598504'/><link rel='alternate' type='text/html' href='http://massard.blogspot.com/2006/12/olivier-umhauer-questionnaire.html' title='Olivier Umhauer :: the questionnaire'/><author><name>thierry massard</name><uri>http://www.blogger.com/profile/08698810450689981475</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-4KpEUL05dzQ/TgrB2q1Dy6I/AAAAAAAAF4w/FPy_-k17XPY/s220/662%2B210.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-24079749.post-5418509302490493121</id><published>2006-12-11T17:06:00.001+01:00</published><updated>2010-05-03T14:15:57.768+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='max marlow'/><category scheme='http://www.blogger.com/atom/ns#' term='kreislauf'/><title type='text'>Max Marlow :: half a year</title><content type='html'>4th release of the meticulous new label of the highly webactive galaxy :: kreislauf, those 6 months, are those of an artist without self-satisfaction. Max Marlow never gives alternative to the tracks, and once again, the general tone is on a very great rigour and high behaviour. Precise writing and an incredible sense of the negligible detail, are giving to this downbeat-ambient (as you want) release a "presence", a presence of those we usually meet in some mixed layers of time and reality.&lt;br /&gt;&lt;br /&gt;Format :: digital&lt;br /&gt;Location :: &lt;a href="http://kreislauf.org/label/2006/12/kreislauf-004.html"&gt;kreislauf label&lt;/a&gt;&lt;br /&gt;Blog :: &lt;a href="http://maxmarlow.untergrund.net/"&gt;Max Marlow&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/24079749-5418509302490493121?l=massard.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://massard.blogspot.com/feeds/5418509302490493121/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=24079749&amp;postID=5418509302490493121&amp;isPopup=true' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/5418509302490493121'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/5418509302490493121'/><link rel='alternate' type='text/html' href='http://massard.blogspot.com/2006/12/max-marlow-half-year.html' title='Max Marlow :: half a year'/><author><name>thierry massard</name><uri>http://www.blogger.com/profile/08698810450689981475</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-4KpEUL05dzQ/TgrB2q1Dy6I/AAAAAAAAF4w/FPy_-k17XPY/s220/662%2B210.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-24079749.post-7699840305366421211</id><published>2006-12-07T10:14:00.001+01:00</published><updated>2010-05-03T14:16:25.396+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='nikolaos yanakis'/><title type='text'>Nikòlaos Yanakis :: ikaro prelude</title><content type='html'>Brief, concise, frugal, succinct, the three tracks of the :: ikaro prelude,&lt;br /&gt;(first?) release of Nikolaos Yanakis, do not give Less than, the best.&lt;br /&gt;This compliment is worth also for the helvetica label combi records (combination).&lt;br /&gt;&lt;br /&gt;succinct ?&lt;br /&gt;&lt;br /&gt;Format :: digital&lt;br /&gt;Location :: &lt;a href="http://www.combi.altervista.org/combi06.html"&gt;combi records&lt;/a&gt;&lt;br /&gt;Archive Location :: &lt;a href="http://www.archive.org/details/combi006"&gt;here&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/24079749-7699840305366421211?l=massard.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://massard.blogspot.com/feeds/7699840305366421211/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=24079749&amp;postID=7699840305366421211&amp;isPopup=true' title='1 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/7699840305366421211'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/7699840305366421211'/><link rel='alternate' type='text/html' href='http://massard.blogspot.com/2006/12/nikolaos-yanakis-ikaro-prelude.html' title='Nikòlaos Yanakis :: ikaro prelude'/><author><name>thierry massard</name><uri>http://www.blogger.com/profile/08698810450689981475</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-4KpEUL05dzQ/TgrB2q1Dy6I/AAAAAAAAF4w/FPy_-k17XPY/s220/662%2B210.jpg'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-24079749.post-820568021859362274</id><published>2006-12-04T13:26:00.003+01:00</published><updated>2010-10-11T18:59:05.870+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='polarproject'/><category scheme='http://www.blogger.com/atom/ns#' term='juergen rieger'/><title type='text'>PolarProject :: no name lp</title><content type='html'>Mobile soundscapes for neuronal dancefloor ? Faithful to his initial concept of representation and/or confrontation of mental images to (a modern) environment, :: no name marks an undoubted evolution in Juergen Rieger's work, as a complete hybridation on suggestion, concrete body talking (reflections - afternoon) as well as this very private investigation and sometimes curious dialogue between the semiconductors and brain cells (mad about) without forgetting the two splendid sinuous ways (it is - fearless). The release is closing on "jagged" … and that's precisely our state of mind after such a treatment.&lt;br /&gt;PolarProject confirms, he is an incontestable non-motionless artist,&lt;br /&gt;still certainly with "no name" but not for a long time.&lt;br /&gt;&lt;br /&gt;Format :: digital&lt;br /&gt;Location :: &lt;a href="http://www.reautomation.com/polarprojectnoname.html"&gt;decisive sound records&lt;/a&gt;&lt;br /&gt;Website :: &lt;a href="http://www.polarproject.de/"&gt;PolarProject&lt;/a&gt;&lt;br /&gt;Related :: &lt;a href="http://massard.blogspot.com/2006/06/polar-project-urban-nomad.html"&gt;urban nomad&lt;/a&gt;&lt;br /&gt;Related :: &lt;a href="http://massard.blogspot.com/2006/10/polar-project-remember-ep-if-nobody.html"&gt;remember ep&lt;/a&gt;&lt;br /&gt;the questionnaire :: &lt;a href="http://massard.blogspot.com/2006/11/juergen-rieger-polarproject.html"&gt;Juergen Rieger&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/24079749-820568021859362274?l=massard.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://massard.blogspot.com/feeds/820568021859362274/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=24079749&amp;postID=820568021859362274&amp;isPopup=true' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/820568021859362274'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/820568021859362274'/><link rel='alternate' type='text/html' href='http://massard.blogspot.com/2006/12/polarproject-no-name-lp_04.html' title='PolarProject :: no name lp'/><author><name>thierry massard</name><uri>http://www.blogger.com/profile/08698810450689981475</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-4KpEUL05dzQ/TgrB2q1Dy6I/AAAAAAAAF4w/FPy_-k17XPY/s220/662%2B210.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-24079749.post-551043459243549937</id><published>2006-12-04T08:58:00.001+01:00</published><updated>2010-05-03T14:17:17.068+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='sutemos'/><category scheme='http://www.blogger.com/atom/ns#' term='various artists'/><title type='text'>various artists :: sutemos live ep</title><content type='html'>&lt;span style="color: rgb(0, 0, 0);"&gt;01. &lt;/span&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;Monolake&lt;/span&gt;&lt;span style="color: rgb(0, 0, 0);"&gt; :: &lt;/span&gt;&lt;a style="color: rgb(102, 102, 102);" href="http://www.archive.org/download/sute015/01_Monolake_-_Bicom.MP3"&gt;bicom&lt;/a&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;02. &lt;/span&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;SCSI-9&lt;/span&gt;&lt;span style="color: rgb(0, 0, 0);"&gt; :: &lt;/span&gt;&lt;a style="color: rgb(102, 102, 102);" href="http://www.archive.org/download/sute015/02_SCSI_9_-_The_End.mp3"&gt;the end&lt;/a&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;03. &lt;/span&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;Sleepy Town Manufacture&lt;/span&gt;&lt;span style="color: rgb(0, 0, 0);"&gt; :: &lt;/span&gt;&lt;a style="color: rgb(102, 102, 102);" href="http://www.archive.org/download/sute015/03_Sleepy_Town_Manufacture_-_So_Twenty_One.mp3"&gt;so twenty one&lt;/a&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;04. &lt;/span&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;Yagya&lt;/span&gt;&lt;span style="color: rgb(0, 0, 0);"&gt; :: &lt;/span&gt;&lt;a style="color: rgb(102, 102, 102);" href="http://www.archive.org/download/sute015/04_Yagya_-_A_Thousand_Words.MP3"&gt;a thousand words&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;here are 4 good reasons to say "nice gift !"&lt;br /&gt;Danke schön - Spacibo x2 - Mòran taing ... sutemos&lt;br /&gt;&lt;br /&gt;Format :: digital&lt;br /&gt;Location ::  &lt;a href="http://www.sutemos.net/en/player;gid,16"&gt;sutemos &lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/24079749-551043459243549937?l=massard.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://massard.blogspot.com/feeds/551043459243549937/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=24079749&amp;postID=551043459243549937&amp;isPopup=true' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/551043459243549937'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/551043459243549937'/><link rel='alternate' type='text/html' href='http://massard.blogspot.com/2006/12/various-artists-sutemos-live-ep.html' title='various artists :: sutemos live ep'/><author><name>thierry massard</name><uri>http://www.blogger.com/profile/08698810450689981475</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-4KpEUL05dzQ/TgrB2q1Dy6I/AAAAAAAAF4w/FPy_-k17XPY/s220/662%2B210.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-24079749.post-2113792693066051765</id><published>2006-12-02T00:01:00.002+01:00</published><updated>2011-06-14T10:53:12.206+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='daniel maze'/><title type='text'>Daniel Maze :: the questionnaire</title><content type='html'>:: the questionnaire &lt;span style="font-style: italic;"&gt;is based on the original "questionnaire of Marcel Proust", created by Antoinette Faure around 1890.&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/24079749-2113792693066051765?l=massard.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://the-questionnaire.blogspot.com/2006/12/daniel-maze.html' title='Daniel Maze :: the questionnaire'/><link rel='replies' type='application/atom+xml' href='http://massard.blogspot.com/feeds/2113792693066051765/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=24079749&amp;postID=2113792693066051765&amp;isPopup=true' title='1 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/2113792693066051765'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/2113792693066051765'/><link rel='alternate' type='text/html' href='http://massard.blogspot.com/2006/12/daniel-maze-questionnaire.html' title='Daniel Maze :: the questionnaire'/><author><name>thierry massard</name><uri>http://www.blogger.com/profile/08698810450689981475</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-4KpEUL05dzQ/TgrB2q1Dy6I/AAAAAAAAF4w/FPy_-k17XPY/s220/662%2B210.jpg'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-24079749.post-6618976882240830972</id><published>2006-11-27T12:20:00.001+01:00</published><updated>2010-05-03T14:17:51.260+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='xedh'/><title type='text'>Xedh :: rencloser ep</title><content type='html'>Release after release, easily, Miguel Ángel García confirms… &lt;br /&gt;Xedh confirms by planting an enormous (rusted) nail in the allegedly apocalyptic landscape of the modern industry of sounds assembly.&lt;br /&gt;Heir of a certain oldschool tradition (and not least) , the man of Bilbao dismantles some  musical commonplaces for better building a singular work which takes all his actual relevance - &lt;br /&gt;disturbed (phil)harmonic (zelenoe) , lyric but bruitist (katarakt) and even chorus disruptive (rencloser) , once again with this netaudio, Xedh builds, with talent, an important work.&lt;br /&gt;Somewhere, beyond the Pyrenees, someone is becoming a great figure of music.&lt;br /&gt;&lt;br /&gt;Format :: digital&lt;br /&gt;Location :: &lt;a href="http://www.picomedia.org/pmact12.htm"&gt;picomedia&lt;/a&gt;&lt;br /&gt;Website :: &lt;a href="http://www.xedh.org/"&gt;Xedh&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;v and r :: &lt;a href="http://massard.blogspot.com/2006/03/xedh-sortzen.html"&gt;Xedh - sort:zen&lt;/a&gt;&lt;br /&gt;v and r :: &lt;a href="http://massard.blogspot.com/2006/09/baba-llaga-el-ultimo-viaje-de_12.html"&gt;Baba Llaga - el ultimo viaje de vasilissa&lt;br /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/24079749-6618976882240830972?l=massard.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://massard.blogspot.com/feeds/6618976882240830972/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=24079749&amp;postID=6618976882240830972&amp;isPopup=true' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/6618976882240830972'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/6618976882240830972'/><link rel='alternate' type='text/html' href='http://massard.blogspot.com/2006/11/xedh-rencloser-ep.html' title='Xedh :: rencloser ep'/><author><name>thierry massard</name><uri>http://www.blogger.com/profile/08698810450689981475</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-4KpEUL05dzQ/TgrB2q1Dy6I/AAAAAAAAF4w/FPy_-k17XPY/s220/662%2B210.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-24079749.post-3301807777129063817</id><published>2006-11-23T15:24:00.001+01:00</published><updated>2010-05-03T14:18:09.242+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='phoenelai'/><title type='text'>Phoenelai :: the findings</title><content type='html'>les résultats ? i must say, I don't like it …&lt;br /&gt;getnik2&lt;br /&gt;getnik2&lt;br /&gt;getnik2&lt;br /&gt;I don't like it … :: the findings wear an awful french translation name :: les résultats, a generic word which means someting like " what arrives, which occurs after and like effect of something …" so i'll better try to keep the original title name as its particular meaning of something that you discover through or after a specific personal progression (or not)&lt;br /&gt;getnik2&lt;br /&gt;getnik2 &lt;br /&gt;:: the findings of Phoenelai is a very discreet release, but take care, bewitchment is immediate (the findings) our curiosity is abused by micro-confusions (passage) of some distant imaginery soundscape.&lt;br /&gt;getnik2&lt;br /&gt;getnik2&lt;br /&gt;with track like "derived" :: the findings is troublemaking, or are we in some frank attempt to put forward the infinitesimal, rubbish sound particules and satellites of pure perception which have finally found some great reason to believe on their own existence, "flux rtrns" confirms the investigation.&lt;br /&gt;getnik2&lt;br /&gt;getnik2&lt;br /&gt;getnik2&lt;br /&gt;short breath and micro-bleeps on textura layer (grains1), Phoenelai closes the release in the most relevant way :: switch off !&lt;br /&gt;getnik2&lt;br /&gt;getnik2&lt;br /&gt;ps :: i have forgotten one important thing , since first listening, i am irremediably addicted to that track "getnik2"&lt;br /&gt;once again ? &lt;br /&gt;getnik2&lt;br /&gt;&lt;br /&gt;Format :: digital&lt;br /&gt;Location :: &lt;a href="http://www.ekonetlabel.com/fiche_release.php?id=9"&gt;eko&lt;/a&gt;&lt;br /&gt;Website :: &lt;a href="http://www.phoensnd.com/"&gt;Phoenelai&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/24079749-3301807777129063817?l=massard.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://massard.blogspot.com/feeds/3301807777129063817/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=24079749&amp;postID=3301807777129063817&amp;isPopup=true' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/3301807777129063817'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/3301807777129063817'/><link rel='alternate' type='text/html' href='http://massard.blogspot.com/2006/11/phoenelai-findings.html' title='Phoenelai :: the findings'/><author><name>thierry massard</name><uri>http://www.blogger.com/profile/08698810450689981475</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-4KpEUL05dzQ/TgrB2q1Dy6I/AAAAAAAAF4w/FPy_-k17XPY/s220/662%2B210.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-24079749.post-6798161606543865470</id><published>2006-11-22T18:18:00.002+01:00</published><updated>2011-06-14T10:54:18.653+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='polarproject'/><category scheme='http://www.blogger.com/atom/ns#' term='juergen rieger'/><title type='text'>Juergen Rieger (PolarProject) :: the questionnaire</title><content type='html'>:: the questionnaire &lt;span style="font-style: italic;"&gt;is based on the original "questionnaire of Marcel Proust", created by Antoinette Faure around 1890.&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/24079749-6798161606543865470?l=massard.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://the-questionnaire.blogspot.com/2006/11/juergen-rieger-polarproject.html' title='Juergen Rieger (PolarProject) :: the questionnaire'/><link rel='replies' type='application/atom+xml' href='http://massard.blogspot.com/feeds/6798161606543865470/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=24079749&amp;postID=6798161606543865470&amp;isPopup=true' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/6798161606543865470'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/6798161606543865470'/><link rel='alternate' type='text/html' href='http://massard.blogspot.com/2006/11/juergen-rieger-polarproject.html' title='Juergen Rieger (PolarProject) :: the questionnaire'/><author><name>thierry massard</name><uri>http://www.blogger.com/profile/08698810450689981475</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-4KpEUL05dzQ/TgrB2q1Dy6I/AAAAAAAAF4w/FPy_-k17XPY/s220/662%2B210.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-24079749.post-35645797550784165</id><published>2006-11-22T10:51:00.001+01:00</published><updated>2010-05-03T14:18:51.845+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='abdicate cell'/><category scheme='http://www.blogger.com/atom/ns#' term='edgeist'/><title type='text'>Edgeist :: Landmass</title><content type='html'>After a first and promising ep, called "spiral", for picomedia netlab, &lt;br /&gt;Edgeist, a very kind boy, is bringing us a new basket of delicacies,&lt;br /&gt;4 deliciously industrial sweets and 3 dark ambient softnesses for our great … sense of well-being.&lt;br /&gt;7 essential pieces to your the best modern comfort ::&lt;br /&gt;"crack (one)" announces some serious architectural modification of our environment&lt;br /&gt;"shore" is very clearly accelerate the movement general of some cellular geography (brilliant)&lt;br /&gt;"crack (two)" invites to note the result of neuronal modifications through a gas mask, not approved.&lt;br /&gt;"plate" pushes us on a particularly sound slope slipping and with the many noisy asperities.&lt;br /&gt;"magnesium", inaugurating the ambient serie of tracks in “ium”, is hypnotic and without illusion - crepuscular and inspired.&lt;br /&gt;“aluminium” starts a hammering without real hope but inspired as much than its predecessor&lt;br /&gt;“sodium” finally, impresses of a spectral harmony, closes a brilliant demonstration of an accomplished talent.&lt;br /&gt;&lt;br /&gt;Landmass - ideal for your house&lt;br /&gt;&lt;br /&gt;Format :: digital&lt;br /&gt;Location :: &lt;a href="http://zherji.net/abdicate/index.php?option=com_content&amp;task=view&amp;id=45&amp;Itemid=28"&gt;adbicate cell &lt;/a&gt;&lt;br /&gt;Website :: &lt;a href="http://www.edgeist.net/"&gt;Edgeist&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/24079749-35645797550784165?l=massard.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://massard.blogspot.com/feeds/35645797550784165/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=24079749&amp;postID=35645797550784165&amp;isPopup=true' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/35645797550784165'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/35645797550784165'/><link rel='alternate' type='text/html' href='http://massard.blogspot.com/2006/11/edgeist-landmass.html' title='Edgeist :: Landmass'/><author><name>thierry massard</name><uri>http://www.blogger.com/profile/08698810450689981475</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-4KpEUL05dzQ/TgrB2q1Dy6I/AAAAAAAAF4w/FPy_-k17XPY/s220/662%2B210.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-24079749.post-3172151654605013450</id><published>2006-11-20T17:27:00.002+01:00</published><updated>2010-05-03T14:19:09.508+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='red hot wok'/><title type='text'>Red Hot Wok :: phnom penh pimps</title><content type='html'>crossing the greyness, the pouring rain and the closed faces …&lt;br /&gt;3 technoid ufos from Cambodia&lt;br /&gt;3 maximal accelerations with bright whiteness&lt;br /&gt;&lt;br /&gt;transgenic and essential !&lt;br /&gt;&lt;br /&gt;Format :: digital&lt;br /&gt;Location :: &lt;a href="http://quietlounge.com/blog/release/red_hot_wok/"&gt;quiet lounge&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/24079749-3172151654605013450?l=massard.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://massard.blogspot.com/feeds/3172151654605013450/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=24079749&amp;postID=3172151654605013450&amp;isPopup=true' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/3172151654605013450'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/3172151654605013450'/><link rel='alternate' type='text/html' href='http://massard.blogspot.com/2006/11/red-hot-wok-phnom-penh-pimps.html' title='Red Hot Wok :: phnom penh pimps'/><author><name>thierry massard</name><uri>http://www.blogger.com/profile/08698810450689981475</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-4KpEUL05dzQ/TgrB2q1Dy6I/AAAAAAAAF4w/FPy_-k17XPY/s220/662%2B210.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-24079749.post-8252542932436938230</id><published>2006-11-20T13:45:00.001+01:00</published><updated>2010-05-03T14:19:46.859+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='zoogoo'/><category scheme='http://www.blogger.com/atom/ns#' term='miasmah'/><title type='text'>lacunas, autumnal overviews and ...</title><content type='html'>&lt;span style="font-weight: bold; color: rgb(102, 102, 102);"&gt;Ceptual&lt;/span&gt;&lt;span style="color: rgb(102, 102, 102);"&gt; :: shifts personal&lt;/span&gt;&lt;br /&gt;Format :: digital&lt;br /&gt;Location :: &lt;a href="http://www.archive.org/details/mia062"&gt;miasmah&lt;/a&gt;&lt;br /&gt;Grazie Luca&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold; color: rgb(102, 102, 102);"&gt;ZooGoo&lt;/span&gt;&lt;span style="color: rgb(102, 102, 102);"&gt; :: zoogoo&lt;/span&gt;&lt;br /&gt;Format :: digital&lt;br /&gt;Location :: &lt;a href="http://www.stealingorchestra.com/releases.htm"&gt;you are not stealing records&lt;/a&gt;&lt;br /&gt;Grazie Filippo&lt;br /&gt;&lt;br /&gt;&lt;span style="color: rgb(102, 102, 102); font-weight: bold;"&gt;... silent reviews&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/24079749-8252542932436938230?l=massard.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://massard.blogspot.com/feeds/8252542932436938230/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=24079749&amp;postID=8252542932436938230&amp;isPopup=true' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/8252542932436938230'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/8252542932436938230'/><link rel='alternate' type='text/html' href='http://massard.blogspot.com/2006/11/lacunas-autumnal-overviews-and.html' title='lacunas, autumnal overviews and ...'/><author><name>thierry massard</name><uri>http://www.blogger.com/profile/08698810450689981475</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-4KpEUL05dzQ/TgrB2q1Dy6I/AAAAAAAAF4w/FPy_-k17XPY/s220/662%2B210.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-24079749.post-2024382203447174753</id><published>2006-11-19T10:46:00.001+01:00</published><updated>2010-05-03T14:20:17.504+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='gqbn'/><category scheme='http://www.blogger.com/atom/ns#' term='mimi records'/><title type='text'>GQBN :: hydrophobic strings</title><content type='html'>optimal effect ! &lt;br /&gt;QGBN is a baroque - steroid positive - ensemble, particularly well defended by the researcher heads of Mimi records. &lt;br /&gt;Apparently lipophilic, these "strings" are however, likely to cause an enthusiasm enough … permeable.&lt;br /&gt;&lt;br /&gt;Format :: digital&lt;br /&gt;Location  ::  &lt;a href="http://www.clubotaku.org/mimi/uk/album66.php"&gt;mimi records&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/24079749-2024382203447174753?l=massard.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://massard.blogspot.com/feeds/2024382203447174753/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=24079749&amp;postID=2024382203447174753&amp;isPopup=true' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/2024382203447174753'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/2024382203447174753'/><link rel='alternate' type='text/html' href='http://massard.blogspot.com/2006/11/gqbn-hydrophobic-strings.html' title='GQBN :: hydrophobic strings'/><author><name>thierry massard</name><uri>http://www.blogger.com/profile/08698810450689981475</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-4KpEUL05dzQ/TgrB2q1Dy6I/AAAAAAAAF4w/FPy_-k17XPY/s220/662%2B210.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-24079749.post-3553782856187074557</id><published>2006-11-18T09:23:00.001+01:00</published><updated>2010-05-03T14:20:51.790+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='clear cut records'/><category scheme='http://www.blogger.com/atom/ns#' term='funkzelle'/><title type='text'>Funkzelle :: day day ep</title><content type='html'>Funkzelle have unstoppable argumentation and sincerly i should like to have some instructions … i want instructions to resist to a tracks like "complex" which opens this second release of ccrec recent label.&lt;br /&gt;i want some great advices (or meds?) to resist to the sound tyranny of  "day day" which closes the release.&lt;br /&gt;And between these, "friends" doesn't refute our growing interest and finally, only "lunatic" has some difficulty to keep its moon commitments - just wait for another day-daybreak&lt;br /&gt;&lt;br /&gt;Format :: digital&lt;br /&gt;Location :: &lt;a href="http://www.clear-cut-records.com/mp3releases/ccrecmp3002.html"&gt;clear-cut-records &lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/24079749-3553782856187074557?l=massard.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://massard.blogspot.com/feeds/3553782856187074557/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=24079749&amp;postID=3553782856187074557&amp;isPopup=true' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/3553782856187074557'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/3553782856187074557'/><link rel='alternate' type='text/html' href='http://massard.blogspot.com/2006/11/funkzelle-day-day-ep.html' title='Funkzelle :: day day ep'/><author><name>thierry massard</name><uri>http://www.blogger.com/profile/08698810450689981475</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-4KpEUL05dzQ/TgrB2q1Dy6I/AAAAAAAAF4w/FPy_-k17XPY/s220/662%2B210.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-24079749.post-5613428528295966183</id><published>2006-11-16T10:39:00.001+01:00</published><updated>2010-05-03T14:21:07.078+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='sm'/><title type='text'>SM :: artificials horizons</title><content type='html'>The :: artificials horizons of SM are finally not so ... distant - a release to discover in the half-light of a november ending afternoon.&lt;br /&gt;A nice classical timeless writing, with many qualities (sanskrit)&lt;br /&gt;:: artificial horizons are just waiting for benevolent ears and some precious mental vacuity, a luxury ?&lt;br /&gt;&lt;br /&gt;Format :: digital&lt;br /&gt;Location :: &lt;a href="http://www.electrosound.ru/releases/es21/"&gt;electrosound&lt;br /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/24079749-5613428528295966183?l=massard.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://massard.blogspot.com/feeds/5613428528295966183/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=24079749&amp;postID=5613428528295966183&amp;isPopup=true' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/5613428528295966183'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/5613428528295966183'/><link rel='alternate' type='text/html' href='http://massard.blogspot.com/2006/11/sm-artificials-horizons.html' title='SM :: artificials horizons'/><author><name>thierry massard</name><uri>http://www.blogger.com/profile/08698810450689981475</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-4KpEUL05dzQ/TgrB2q1Dy6I/AAAAAAAAF4w/FPy_-k17XPY/s220/662%2B210.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-24079749.post-6276001329535175201</id><published>2006-11-10T10:30:00.001+01:00</published><updated>2010-05-03T14:21:31.101+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='cut fire wood'/><category scheme='http://www.blogger.com/atom/ns#' term='hw'/><title type='text'>Cut Fire Wood :: can here mushrooms grow</title><content type='html'>an idm-electronica without complex and fixedly looking at cathartic and gloomy reminiscences. &lt;br /&gt;That inspired ep would almost gives desire to have a walk in the woods, at falling night.&lt;br /&gt;&lt;br /&gt;Format :: digital&lt;br /&gt;Location :: &lt;a href="http://homework.polarnet.ru/release/015.html"&gt;hw homework&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/24079749-6276001329535175201?l=massard.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://massard.blogspot.com/feeds/6276001329535175201/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=24079749&amp;postID=6276001329535175201&amp;isPopup=true' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/6276001329535175201'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/6276001329535175201'/><link rel='alternate' type='text/html' href='http://massard.blogspot.com/2006/11/cut-fire-wood-can-here-mushroms-grow.html' title='Cut Fire Wood :: can here mushrooms grow'/><author><name>thierry massard</name><uri>http://www.blogger.com/profile/08698810450689981475</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-4KpEUL05dzQ/TgrB2q1Dy6I/AAAAAAAAF4w/FPy_-k17XPY/s220/662%2B210.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-24079749.post-7600627585150204546</id><published>2006-11-09T09:03:00.002+01:00</published><updated>2011-06-14T10:55:17.189+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='monolake'/><category scheme='http://www.blogger.com/atom/ns#' term='robert henke'/><title type='text'>Robert Henke :: the questionnaire</title><content type='html'>:: the questionnaire &lt;span style="font-style: italic;"&gt;is based on the original "questionnaire of Marcel Proust", created by Antoinette Faure around 1890.&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/24079749-7600627585150204546?l=massard.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://the-questionnaire.blogspot.com/2006/11/robert-henke.html' title='Robert Henke :: the questionnaire'/><link rel='replies' type='application/atom+xml' href='http://massard.blogspot.com/feeds/7600627585150204546/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=24079749&amp;postID=7600627585150204546&amp;isPopup=true' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/7600627585150204546'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/7600627585150204546'/><link rel='alternate' type='text/html' href='http://massard.blogspot.com/2006/11/robert-henke-questionnaire.html' title='Robert Henke :: the questionnaire'/><author><name>thierry massard</name><uri>http://www.blogger.com/profile/08698810450689981475</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-4KpEUL05dzQ/TgrB2q1Dy6I/AAAAAAAAF4w/FPy_-k17XPY/s220/662%2B210.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-24079749.post-234461743747970729</id><published>2006-11-07T10:19:00.001+01:00</published><updated>2010-05-03T14:22:13.384+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='OCP'/><title type='text'>ocp :: safe sex, some drugs and no rock'n'roll</title><content type='html'>passed the little cynical pastiche, this ep of João Ricardo is a real successfully fine combination of four engraved tracks. The technoid charm is continuous and residual, surely … all my brain and body need.&lt;br /&gt;&lt;br /&gt;Format :: digital&lt;br /&gt;Location :: &lt;a href="http://www.plastic4records.com/sounds/bands/99/music.php"&gt;plastic4records&lt;/a&gt; - &lt;a href="http://www.archive.org/details/safe_sex"&gt;archive&lt;/a&gt;&lt;br /&gt;Website :: &lt;a href="http://ocp.pt.vu/"&gt;ocp&lt;/a&gt;&lt;br /&gt;Blog :: &lt;a href="http://operadordecabine.blogspot.com/"&gt;ocp&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/24079749-234461743747970729?l=massard.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://massard.blogspot.com/feeds/234461743747970729/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=24079749&amp;postID=234461743747970729&amp;isPopup=true' title='1 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/234461743747970729'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/234461743747970729'/><link rel='alternate' type='text/html' href='http://massard.blogspot.com/2006/11/ocp-safe-sex-some-drugs-and-no.html' title='ocp :: safe sex, some drugs and no rock&apos;n&apos;roll'/><author><name>thierry massard</name><uri>http://www.blogger.com/profile/08698810450689981475</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-4KpEUL05dzQ/TgrB2q1Dy6I/AAAAAAAAF4w/FPy_-k17XPY/s220/662%2B210.jpg'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-24079749.post-5474994638871820301</id><published>2006-11-07T10:17:00.002+01:00</published><updated>2010-05-03T14:22:33.239+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='siegmar fricke'/><title type='text'>Siegmar Fricke :: medical soundscapes</title><content type='html'>If you have dreamed, for years, of 'Fantastic Voyage', the 1966 Richard Fleischer's cult movie.&lt;br /&gt;Your dream now comes true.&lt;br /&gt;take care, oldness has only a time ...&lt;br /&gt;&lt;br /&gt;Format :: digital&lt;br /&gt;Location :: &lt;a href="http://www.subsource.de/sub/059/"&gt;subsource&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/24079749-5474994638871820301?l=massard.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://massard.blogspot.com/feeds/5474994638871820301/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=24079749&amp;postID=5474994638871820301&amp;isPopup=true' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/5474994638871820301'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/5474994638871820301'/><link rel='alternate' type='text/html' href='http://massard.blogspot.com/2006/11/siegmar-fricke-medical-soundscapes.html' title='Siegmar Fricke :: medical soundscapes'/><author><name>thierry massard</name><uri>http://www.blogger.com/profile/08698810450689981475</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-4KpEUL05dzQ/TgrB2q1Dy6I/AAAAAAAAF4w/FPy_-k17XPY/s220/662%2B210.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-24079749.post-7675567662965445968</id><published>2006-10-30T18:23:00.003+01:00</published><updated>2011-06-14T10:56:17.503+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='loscil'/><title type='text'>Loscil :: the questionnaire</title><content type='html'>:: the questionnaire &lt;span style="font-style: italic;"&gt;is based on the original "questionnaire of Marcel Proust", created by Antoinette Faure around 1890.&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/24079749-7675567662965445968?l=massard.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://the-questionnaire.blogspot.com/2006/10/loscil.html' title='Loscil :: the questionnaire'/><link rel='replies' type='application/atom+xml' href='http://massard.blogspot.com/feeds/7675567662965445968/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=24079749&amp;postID=7675567662965445968&amp;isPopup=true' title='1 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/7675567662965445968'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/7675567662965445968'/><link rel='alternate' type='text/html' href='http://massard.blogspot.com/2006/10/loscil-questionnaire.html' title='Loscil :: the questionnaire'/><author><name>thierry massard</name><uri>http://www.blogger.com/profile/08698810450689981475</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-4KpEUL05dzQ/TgrB2q1Dy6I/AAAAAAAAF4w/FPy_-k17XPY/s220/662%2B210.jpg'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-24079749.post-9025552504171973000</id><published>2006-10-29T06:50:00.001+01:00</published><updated>2010-05-03T14:23:05.405+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='daniel maze'/><title type='text'>Daniel Maze :: avatar</title><content type='html'>we dream of such avatars… flexible (statik gras flok) &lt;br /&gt;we dream of evolutive drones (avatar) &lt;br /&gt;we, so easily, fall in love (one the farm) that we should almost doubt about our fidelity &lt;br /&gt;we appreciate the air distance (flamingo will mantra) and their traditional ambient layers&lt;br /&gt;and finally, we regret not having observed it publicly (acid test) &lt;br /&gt;or maybe was it an illusion ? an … avatar ?&lt;br /&gt;&lt;br /&gt;Format :: digital&lt;br /&gt;Location :: &lt;a href="http://www.rest-label.net/Releases/rest031/rest031.html"&gt;rest-label&lt;/a&gt;&lt;br /&gt;Website :: &lt;a href="http://maze.walltapper.com/"&gt;Daniel Maze&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Related :: &lt;a href="http://massard.blogspot.com/2006/04/daniel-maze-skuba.html"&gt;skuba&lt;/a&gt;&lt;br /&gt;Related :: &lt;a href="http://massard.blogspot.com/2006/03/daniel-maze-elementary-ep.html"&gt;elementary ep&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/24079749-9025552504171973000?l=massard.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://massard.blogspot.com/feeds/9025552504171973000/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=24079749&amp;postID=9025552504171973000&amp;isPopup=true' title='1 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/9025552504171973000'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/9025552504171973000'/><link rel='alternate' type='text/html' href='http://massard.blogspot.com/2006/10/daniel-maze-avatar.html' title='Daniel Maze :: avatar'/><author><name>thierry massard</name><uri>http://www.blogger.com/profile/08698810450689981475</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-4KpEUL05dzQ/TgrB2q1Dy6I/AAAAAAAAF4w/FPy_-k17XPY/s220/662%2B210.jpg'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-24079749.post-5447891335494677531</id><published>2006-10-28T20:52:00.001+02:00</published><updated>2010-05-03T14:23:31.345+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='rich.vom.dorf'/><title type='text'>Rich.vom.Dorf. :: i hate the tv (ep)</title><content type='html'>1) watching television everyday, switching on an feeling ok … &lt;br /&gt;2) i don't understand why i should pay a fee for something that i hate and don't want to see …&lt;br /&gt;3) zapping around up and down … &lt;br /&gt;the message is perfectly clear and the demonstration is pure limpidity, Rich.vom.Dorf invits to think about.&lt;br /&gt;free will makes sense.&lt;br /&gt;&lt;br /&gt;Format :: digital&lt;br /&gt;Location :: &lt;a href="http://www.inoquo.com/english/lanzamientos.php"&gt;inoquo&lt;/a&gt;&lt;br /&gt;Website :: &lt;a href="http://www.richvomdorf.com/"&gt;Rich.vom.Dorf&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/24079749-5447891335494677531?l=massard.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://massard.blogspot.com/feeds/5447891335494677531/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=24079749&amp;postID=5447891335494677531&amp;isPopup=true' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/5447891335494677531'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/5447891335494677531'/><link rel='alternate' type='text/html' href='http://massard.blogspot.com/2006/10/richvomdorf-i-hate-tv-ep_28.html' title='Rich.vom.Dorf. :: i hate the tv (ep)'/><author><name>thierry massard</name><uri>http://www.blogger.com/profile/08698810450689981475</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-4KpEUL05dzQ/TgrB2q1Dy6I/AAAAAAAAF4w/FPy_-k17XPY/s220/662%2B210.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-24079749.post-2503664658650479797</id><published>2006-10-28T13:19:00.001+02:00</published><updated>2010-05-03T14:24:11.054+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='fred debief'/><category scheme='http://www.blogger.com/atom/ns#' term='esbende washlavok'/><title type='text'>Esbende Washlavok :: #00</title><content type='html'>After having taken some objective distances with a netlabel which have great difficulties to accept any critic on some hypothetic and unconsequent recent release, it is good to note an only one artistic choice as relevant as this very interesting 46 minutes and 46 seconds track. Simply entitled #00, this one piece of the musician, Esbende Washlovak, gives again an obvious coherence to EED, which apparently likes to frighten itself …&lt;br /&gt;&lt;br /&gt;Produced with opened windows on the street, #00 seems nourished with a sort of abyssal consciousness of the ordinary life, an impressive setting in prospect for the daily reality - #00 is also an experiment which can appear as trauma and then, wake up some internally interrogations, some unexplored visions to our direct report at our environment - as much to say that we are, there, far enough from a simple stage setting of an "ordinary" recording field - inspired !&lt;br /&gt;&lt;br /&gt;Format :: digital&lt;br /&gt;Location :: &lt;a href="http://www.electronicdiversity.com/freedmusic/"&gt;eed&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/24079749-2503664658650479797?l=massard.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://massard.blogspot.com/feeds/2503664658650479797/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=24079749&amp;postID=2503664658650479797&amp;isPopup=true' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/2503664658650479797'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/2503664658650479797'/><link rel='alternate' type='text/html' href='http://massard.blogspot.com/2006/10/esbende-washlavok-00.html' title='Esbende Washlavok :: #00'/><author><name>thierry massard</name><uri>http://www.blogger.com/profile/08698810450689981475</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-4KpEUL05dzQ/TgrB2q1Dy6I/AAAAAAAAF4w/FPy_-k17XPY/s220/662%2B210.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-24079749.post-6461584505741970684</id><published>2006-10-27T17:42:00.003+02:00</published><updated>2011-06-14T11:17:53.987+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='applezup'/><category scheme='http://www.blogger.com/atom/ns#' term='cHristian negre i walczak'/><category scheme='http://www.blogger.com/atom/ns#' term='op3n'/><category scheme='http://www.blogger.com/atom/ns#' term='applejux'/><title type='text'>cHristian negre i walczak (aka applejux - applezup) :: the questionnaire</title><content type='html'>::the questionnaire &lt;span style="font-style:italic;"&gt;is based on the original "questionnaire of Marcel Proust", created by Antoinette Faure around 1890. &lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/24079749-6461584505741970684?l=massard.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://the-questionnaire.blogspot.com/2006/10/christian-negre-i-walzcak-aka-applejux.html' title='cHristian negre i walczak (aka applejux - applezup) :: the questionnaire'/><link rel='replies' type='application/atom+xml' href='http://massard.blogspot.com/feeds/6461584505741970684/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=24079749&amp;postID=6461584505741970684&amp;isPopup=true' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/6461584505741970684'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/6461584505741970684'/><link rel='alternate' type='text/html' href='http://massard.blogspot.com/2006/10/christian-negre-i-walczak-aka-applejux.html' title='cHristian negre i walczak (aka applejux - applezup) :: the questionnaire'/><author><name>thierry massard</name><uri>http://www.blogger.com/profile/08698810450689981475</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-4KpEUL05dzQ/TgrB2q1Dy6I/AAAAAAAAF4w/FPy_-k17XPY/s220/662%2B210.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-24079749.post-2502246408545190066</id><published>2006-10-25T09:15:00.001+02:00</published><updated>2010-05-03T14:26:16.875+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='otium'/><category scheme='http://www.blogger.com/atom/ns#' term='fuga idearum'/><title type='text'>Fuga Idearum :: fugacities</title><content type='html'>Vladislav Petrov (fuga idearum) from Saint Petersburg is rich !&lt;br /&gt;This guy should deserved that we kidnap his so beautiful mind against an astronomical ransom … &lt;br /&gt;from the terribly addictive "eskiz pustoy sezny", from the ethno-cyclic echo of "preodolenie preodolenija", from the fine expressionnist "son s otkritoy dverju", the close disconcerting presence of  "Konez Igry" journey, the quite personal mottos and tunes of "epigraph", the conclusive interlude of "Sluchai V Sadu", and then finally, "pustoy vecher" full of these remote reminiscences of a dreamed koto.&lt;br /&gt;So much life 'fugacities' in such a small spacetime, &lt;br /&gt;yes, Fuga Idearum is rich &lt;br /&gt;and that should be forbidden to be so meaningful, so significant …&lt;br /&gt;&lt;br /&gt;Format :: digital&lt;br /&gt;Location :: &lt;a href="http://otium.ru/en/releases/?id=43"&gt;otium&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/24079749-2502246408545190066?l=massard.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://massard.blogspot.com/feeds/2502246408545190066/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=24079749&amp;postID=2502246408545190066&amp;isPopup=true' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/2502246408545190066'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/2502246408545190066'/><link rel='alternate' type='text/html' href='http://massard.blogspot.com/2006/10/fuga-idearum-fugacities.html' title='Fuga Idearum :: fugacities'/><author><name>thierry massard</name><uri>http://www.blogger.com/profile/08698810450689981475</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-4KpEUL05dzQ/TgrB2q1Dy6I/AAAAAAAAF4w/FPy_-k17XPY/s220/662%2B210.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-24079749.post-4924809631735133444</id><published>2006-10-24T15:46:00.001+02:00</published><updated>2010-05-03T14:26:36.045+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='gate zero'/><title type='text'>Gate Zero :: coded dream ep</title><content type='html'>( broadband noise ) Simple things are better things.&lt;br /&gt;( coded dream ) Please don't look further, here is the better chill out place.&lt;br /&gt;( the last step to the abyss ) The first better one in a cinematographic unknown landscape.&lt;br /&gt;( quiet fear ) a real suspicion or better ?&lt;br /&gt;&lt;br /&gt;Format :: digital&lt;br /&gt;Location :: &lt;a href="http://www.belladonnarecords.com/gatezero/#"&gt;belladonna records&lt;/a&gt;&lt;br /&gt;Website :: &lt;a href="http://www.gatezero-music.de/"&gt;Gate Zero&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/24079749-4924809631735133444?l=massard.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://massard.blogspot.com/feeds/4924809631735133444/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=24079749&amp;postID=4924809631735133444&amp;isPopup=true' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/4924809631735133444'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/4924809631735133444'/><link rel='alternate' type='text/html' href='http://massard.blogspot.com/2006/10/gate-zero-coded-dream-ep.html' title='Gate Zero :: coded dream ep'/><author><name>thierry massard</name><uri>http://www.blogger.com/profile/08698810450689981475</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-4KpEUL05dzQ/TgrB2q1Dy6I/AAAAAAAAF4w/FPy_-k17XPY/s220/662%2B210.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-24079749.post-8246670870732836574</id><published>2006-10-23T10:52:00.003+02:00</published><updated>2011-06-14T10:57:15.589+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='max richter'/><title type='text'>Max Richter :: the questionnaire</title><content type='html'>:: the questionnaire &lt;span style="font-style: italic;"&gt;is based on the original "questionnaire of Marcel Proust", created by Antoinette Faure around 1890.&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/24079749-8246670870732836574?l=massard.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://the-questionnaire.blogspot.com/2006/10/max-richter.html' title='Max Richter :: the questionnaire'/><link rel='replies' type='application/atom+xml' href='http://massard.blogspot.com/feeds/8246670870732836574/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=24079749&amp;postID=8246670870732836574&amp;isPopup=true' title='2 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/8246670870732836574'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/8246670870732836574'/><link rel='alternate' type='text/html' href='http://massard.blogspot.com/2006/10/max-richter-questionnaire.html' title='Max Richter :: the questionnaire'/><author><name>thierry massard</name><uri>http://www.blogger.com/profile/08698810450689981475</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-4KpEUL05dzQ/TgrB2q1Dy6I/AAAAAAAAF4w/FPy_-k17XPY/s220/662%2B210.jpg'/></author><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-24079749.post-6916685134546054652</id><published>2006-10-22T17:59:00.001+02:00</published><updated>2010-05-03T14:27:15.468+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='denis mati'/><category scheme='http://www.blogger.com/atom/ns#' term='hw'/><title type='text'>Denis Mati :: autumn (ep)</title><content type='html'>Pure product of has very high artistic intelligence:: autumn of Denis Mati, followed upon a preceding collaboration (:: internal fog) with the very accurate label of Murmansk, which then also confirms an exceptional … autumn (and let me invit you to check the splendid last release of Coldicus :: &lt;a href="http://massard.blogspot.com/2006/09/coldicus-easy-love-hard-feel.html"&gt;easy love/hard feel&lt;/a&gt;).&lt;br /&gt;Denis Mati is an hybrid sound collagist, sometimes manipulating ambient soundscapes as a "rough" material, but always keeping in mind this beautiful perspective of innocence.&lt;br /&gt;Denis Mati is also the author of a Masterpiece called :: mental parts.&lt;br /&gt;&lt;br /&gt;Format :: digital&lt;br /&gt;Location :: &lt;a href="http://homework.polarnet.ru/release/014.html"&gt;hw homework&lt;/a&gt;&lt;br /&gt;Blog :: &lt;a href="http://tio-kornfun.livejournal.com/"&gt;Denis Mati&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/24079749-6916685134546054652?l=massard.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://massard.blogspot.com/feeds/6916685134546054652/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=24079749&amp;postID=6916685134546054652&amp;isPopup=true' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/6916685134546054652'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/6916685134546054652'/><link rel='alternate' type='text/html' href='http://massard.blogspot.com/2006/10/denis-mati-autumn.html' title='Denis Mati :: autumn (ep)'/><author><name>thierry massard</name><uri>http://www.blogger.com/profile/08698810450689981475</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-4KpEUL05dzQ/TgrB2q1Dy6I/AAAAAAAAF4w/FPy_-k17XPY/s220/662%2B210.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-24079749.post-2746636225615108833</id><published>2006-10-21T10:55:00.002+02:00</published><updated>2011-06-14T10:58:02.935+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='laurent batailley'/><title type='text'>Laurent Batailley :: the questionnaire</title><content type='html'>:: the questionnaire &lt;span style="font-style: italic;"&gt;is based on the original "questionnaire of Marcel Proust", created by Antoinette Faure around 1890.&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/24079749-2746636225615108833?l=massard.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://the-questionnaire.blogspot.com/2006/10/laurent-batailley.html' title='Laurent Batailley :: the questionnaire'/><link rel='replies' type='application/atom+xml' href='http://massard.blogspot.com/feeds/2746636225615108833/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=24079749&amp;postID=2746636225615108833&amp;isPopup=true' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/2746636225615108833'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/2746636225615108833'/><link rel='alternate' type='text/html' href='http://massard.blogspot.com/2006/10/laurent-batailley-questionnaire.html' title='Laurent Batailley :: the questionnaire'/><author><name>thierry massard</name><uri>http://www.blogger.com/profile/08698810450689981475</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-4KpEUL05dzQ/TgrB2q1Dy6I/AAAAAAAAF4w/FPy_-k17XPY/s220/662%2B210.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-24079749.post-6682460954473683246</id><published>2006-10-20T16:20:00.001+02:00</published><updated>2010-05-03T14:29:00.699+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='fern'/><title type='text'>Fern :: this first day</title><content type='html'>an enigma … this release is a complete enigma.  Since the beginning of this week, i try to understand … understand then by far, interpret my global interest for this early day but, such as water passing through the fingers, the enigma is still there - a secret monolith.  Yes, this "first day" is a monolithic enigma beauty with whom you learn to live everyday. The simple and ordinary complicity of each moment.&lt;br /&gt;But anyway, before starts this "normality" was :: this first day. &lt;br /&gt;As on this evident subjective and quite relative revelation, i don't want to give you the impression of a personal lack of courtesy, i just like to add that this one day old new paddle is simply all right for me. &lt;br /&gt;Now, what about you ?&lt;br /&gt;&lt;br /&gt;Format :: digital&lt;br /&gt;Location :: &lt;a href="http://www.thinner.cc/releases.php?r=apl040"&gt;thinner/autoplate&lt;br /&gt;&lt;/a&gt;&lt;br /&gt;Website :: &lt;a href="http://www.damenundherren.de/"&gt;Fern dj team&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/24079749-6682460954473683246?l=massard.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://massard.blogspot.com/feeds/6682460954473683246/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=24079749&amp;postID=6682460954473683246&amp;isPopup=true' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/6682460954473683246'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/6682460954473683246'/><link rel='alternate' type='text/html' href='http://massard.blogspot.com/2006/10/fern-this-first-day.html' title='Fern :: this first day'/><author><name>thierry massard</name><uri>http://www.blogger.com/profile/08698810450689981475</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-4KpEUL05dzQ/TgrB2q1Dy6I/AAAAAAAAF4w/FPy_-k17XPY/s220/662%2B210.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-24079749.post-8267371981088358927</id><published>2006-10-18T07:39:00.001+02:00</published><updated>2010-05-03T14:28:17.543+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='zymogen'/><category scheme='http://www.blogger.com/atom/ns#' term='thierry massard'/><title type='text'>various artists :: glasshouse #01</title><content type='html'>Thus, we finally have in hands the first hardcopy and tenth reference of the Modena label …&lt;br /&gt;It is, we easily imagine, an important moment, because the first off-line excursion for a netlabel with a great recognized requirement.&lt;br /&gt;Then now, is the question :: welcome in the real world zymogen ? … the answer is making absolute no doubt.&lt;br /&gt;Between concept album or an obvious will of representation of the activities of the label, this release can easily make lie these points of view, so much it has a real coherence, :: glasshouse 01 is of those rare compilations from which we refuse to distinguish such participant or such other - this unit is partly due to the excellent graphic work of sunisbetterthanmoney, to the beautiful and now usual images of Mario Aldovini, due to the suggestive immersion of the tracklist and well on, due with the high behaviour of the guest-list :: Ibakusha - D'incise - Takeshi Nakamura - Lezrod.&lt;br /&gt;Suggestive immersion? yes, Filippo Aldovini has it seems, have privileged a progression tactic on, and that does not have been so easy, as so much these artists compete in the excellence and the multiplicity of their matter. Thus ibakusha surreptitiously takes us on board, in some soundscapes where sometimes we perceive an aural signal inviting us to the back return - too late! &lt;br /&gt;D'incise offers to us "un bouquet de fleurs fanées c'est si joli" … et tellement vrai (and so true)&lt;br /&gt;Nakamura continues with a “subtraction” which in fact, hides an authentic and beautiful sub-abstraction. &lt;br /&gt;Finally, Lezrod closes the door of the glasshouse in a flow and a backward flow of tearing sound layers of particles in search of skeletal and late harmony, this “xx” is … XXL.&lt;br /&gt;&lt;br /&gt;Off or On, zymogen is a very precious line to follow.&lt;br /&gt;&lt;br /&gt;//&lt;br /&gt;&lt;br /&gt;Ainsi donc, avons-nous enfin entre les mains la première hard-copie et dixième référence du label de Modène …&lt;br /&gt;C'est, nous l'imaginons aisément, un moment important car la première excursion off-line pour un netlabel à l'exigence reconnue.&lt;br /&gt;Alors maintenant, la question est-elle :: welcome in the real world zymogen ? … la réponse ne fait absolument aucun doute.&lt;br /&gt;Entre concept album ou une évidente volonté de représentativité des activités du label, cette réalisation peut facilement faire mentir ces points de vue, tant elle a une réelle cohérence, :: glasshouse 01 est de ces rares compilations dont on refuse de distinguer tel participant ou tel autre - cette unité est en partie due à l'excellent travail graphique de sunisbetterthanmoney, aux belles images désormais coutumières de Mario Aldovini, à l'immersion suggestive de la tracklist et bien sur à la haute tenue de la guest-list :: ibakusha - d'incise - takeshi nakamura - lezrod. Immersion suggestive ? oui, Filippo Aldovini a semble-t'il privilègié une tactique de progression et cela n'a pas du être facile, tant ces artistes rivalisent dans l'excellence et la multiplicité de leur  propos. Ainsi Ibakusha nous embarque subrepticement dans quelques soundscapes où parfois l'on perçoit un signal sonore nous invitant au retour arrière - trop tard !&lt;br /&gt;D'incise nous offre "un bouquet de fleurs fanées c'est si joli" … et tellement vrai (and so true)&lt;br /&gt;Nakamura poursuit avec un "subtraction" qui cache en fait une authentique et belle sub-abstraction. &lt;br /&gt;Lezrod enfin, referme la porte de la serre dans un flux et un reflux de déchirantes nappes de particules sonores en quête d'une squelettique et tardive harmonie, ce "xx" est … XXL.&lt;br /&gt;&lt;br /&gt;Qu'elle soit "Off" ou "On", zymogen est une très précieuse "line" à suivre.&lt;br /&gt;&lt;br /&gt;format :: cd / digital&lt;br /&gt;Location :: &lt;a href="http://www.zymogen.net/releases/zgl01/"&gt;zymogen&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/24079749-8267371981088358927?l=massard.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://massard.blogspot.com/feeds/8267371981088358927/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=24079749&amp;postID=8267371981088358927&amp;isPopup=true' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/8267371981088358927'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/8267371981088358927'/><link rel='alternate' type='text/html' href='http://massard.blogspot.com/2006/10/various-artists-glasshouse-01.html' title='various artists :: glasshouse #01'/><author><name>thierry massard</name><uri>http://www.blogger.com/profile/08698810450689981475</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-4KpEUL05dzQ/TgrB2q1Dy6I/AAAAAAAAF4w/FPy_-k17XPY/s220/662%2B210.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-24079749.post-1606016894535747031</id><published>2006-10-13T19:28:00.002+02:00</published><updated>2011-06-14T10:58:56.748+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='mogwai'/><category scheme='http://www.blogger.com/atom/ns#' term='kreislauf'/><title type='text'>Mogwai :: the questionnaire</title><content type='html'>:: the questionnaire &lt;span style="font-style: italic;"&gt;is based on the original "questionnaire of Marcel Proust", created by Antoinette Faure around 1890.&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/24079749-1606016894535747031?l=massard.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://the-questionnaire.blogspot.com/2006/10/mogwai.html' title='Mogwai :: the questionnaire'/><link rel='replies' type='application/atom+xml' href='http://massard.blogspot.com/feeds/1606016894535747031/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=24079749&amp;postID=1606016894535747031&amp;isPopup=true' title='1 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/1606016894535747031'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/1606016894535747031'/><link rel='alternate' type='text/html' href='http://massard.blogspot.com/2006/10/mogwai-questionnaire.html' title='Mogwai :: the questionnaire'/><author><name>thierry massard</name><uri>http://www.blogger.com/profile/08698810450689981475</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-4KpEUL05dzQ/TgrB2q1Dy6I/AAAAAAAAF4w/FPy_-k17XPY/s220/662%2B210.jpg'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-24079749.post-2560955447474985129</id><published>2006-10-13T11:30:00.001+02:00</published><updated>2010-05-03T14:29:19.397+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='polarproject'/><category scheme='http://www.blogger.com/atom/ns#' term='juergen rieger'/><title type='text'>PolarProject :: remember ep</title><content type='html'>If nobody doesn't take care, 06 can easily becomes the Polar Project year. The recent arrival of a brand new version of the website of the originally variable geometric duo of Frankfurt, but finally and mainly a solo project of Juergen Rieger, confirms a growing interest for this inspired personality, mainly haunting urban post-human landscapes than "little house in the prairie". This recent actuality is the opportunity for a few words on :: remember ep, which was coming there before this blog - then, to be perfectly honest, i will have some difficulties to say that this too short ep is pure rubbish,  as those 3 tracks are the exact mirror of hybrid feelings on a very high perception of reality. This is the main force and great talent of Polar Project who sometimes goes in the same playground area as the absolute venerated Dusseldorf's cyclists. Juergen Rieger has a magic pallet to decrypt the rigidity of things (close your eyes) but as the difference, with the robots, he transports this one in a tiny bag, that one that carries the true nomads.&lt;br /&gt;&lt;br /&gt;Format :: digital&lt;br /&gt;Location :: &lt;a href="http://polarproject.de/music/index.html"&gt;remember ep&lt;/a&gt;&lt;br /&gt;Website :: &lt;a href="http://polarproject.de"&gt;PolarProject&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Related :: &lt;a href="http://massard.blogspot.com/2006/06/polar-project-urban-nomad.html"&gt;urban nomad &lt;/a&gt;&lt;br /&gt;Video :: &lt;a href="http://www.filamentrecordings.co.uk/video/just-disappear.mov"&gt;just disappear&lt;/a&gt; - courtesy of filament recordings&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/24079749-2560955447474985129?l=massard.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://massard.blogspot.com/feeds/2560955447474985129/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=24079749&amp;postID=2560955447474985129&amp;isPopup=true' title='1 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/2560955447474985129'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/2560955447474985129'/><link rel='alternate' type='text/html' href='http://massard.blogspot.com/2006/10/polar-project-remember-ep-if-nobody.html' title='PolarProject :: remember ep'/><author><name>thierry massard</name><uri>http://www.blogger.com/profile/08698810450689981475</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-4KpEUL05dzQ/TgrB2q1Dy6I/AAAAAAAAF4w/FPy_-k17XPY/s220/662%2B210.jpg'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-24079749.post-6347290677737549163</id><published>2006-10-12T17:49:00.002+02:00</published><updated>2010-05-03T14:29:47.630+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='k.m.krebs'/><title type='text'>K.M. Krebs :: fog sequences</title><content type='html'>All made through unpredictable distortion effects generated from a fm drone generator, those :: fog sequences have a highly strange density - Krebs puts at evil the particulate character of the moisture of the “fog” to give it this kind of arid and perturbing magnetic electricity. The load is particularly strong. &lt;br /&gt;&lt;br /&gt;Format :: digital&lt;br /&gt;Location :: &lt;a href="http://www.mystifiedmusic.com/releases.html"&gt;treetrunk records&lt;/a&gt;&lt;br /&gt;Website :: &lt;a href="http://www.833-45.net/"&gt;Kevin M.Krebs&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/24079749-6347290677737549163?l=massard.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://massard.blogspot.com/feeds/6347290677737549163/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=24079749&amp;postID=6347290677737549163&amp;isPopup=true' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/6347290677737549163'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/6347290677737549163'/><link rel='alternate' type='text/html' href='http://massard.blogspot.com/2006/10/km-krebs-fog-sequences.html' title='K.M. Krebs :: fog sequences'/><author><name>thierry massard</name><uri>http://www.blogger.com/profile/08698810450689981475</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-4KpEUL05dzQ/TgrB2q1Dy6I/AAAAAAAAF4w/FPy_-k17XPY/s220/662%2B210.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-24079749.post-4436327549728643399</id><published>2006-10-11T20:07:00.002+02:00</published><updated>2011-06-14T10:59:54.035+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='szajner'/><title type='text'>Szajner :: the questionnaire</title><content type='html'>:: the questionnaire &lt;span style="font-style: italic;"&gt;is based on the original "questionnaire of Marcel Proust", created by Antoinette Faure around 1890.&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/24079749-4436327549728643399?l=massard.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://the-questionnaire.blogspot.com/2006/10/szajner.html' title='Szajner :: the questionnaire'/><link rel='replies' type='application/atom+xml' href='http://massard.blogspot.com/feeds/4436327549728643399/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=24079749&amp;postID=4436327549728643399&amp;isPopup=true' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/4436327549728643399'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/4436327549728643399'/><link rel='alternate' type='text/html' href='http://massard.blogspot.com/2006/10/szajner-questionnaire.html' title='Szajner :: the questionnaire'/><author><name>thierry massard</name><uri>http://www.blogger.com/profile/08698810450689981475</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-4KpEUL05dzQ/TgrB2q1Dy6I/AAAAAAAAF4w/FPy_-k17XPY/s220/662%2B210.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-24079749.post-8770462471166073707</id><published>2006-10-11T12:35:00.001+02:00</published><updated>2010-05-03T14:30:29.223+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='ahasverus'/><title type='text'>Ahasverus :: the destiny of fabian kazmierski</title><content type='html'>Difficult not to draw up a relationship between the myth of the wandering Jew (Ahasverus) and this release as much mythical:: the destiny of Fabian Kazmierski. Henrik Summanen (the man behind Ahasverus project) is undoubtedly a major archaeologist of the short cuts. It is true that museums are often places where myth and reality do particularly are on to a good thing. Ahasverus is brilliant there in art to scramble the tracks. Then, I let you discover this strange adventure of Fabian Kamierski through the presentation text of Protoplazma, as we are now entering into dark and deep landscapes. This destiny is all made of beauty that hurts, sometimes threatening (three shadows) sometimes mesmerize (river bank) and there will be no respite. 8 pieces of this emotional impact which  leaves you without voice - do not pass beside.&lt;br /&gt;&lt;br /&gt;Format :: digital&lt;br /&gt;Location :: &lt;a href="http://www.protoplazma.com/releases/006/net.p006.html"&gt;protoplazma&lt;/a&gt;&lt;br /&gt;Website :: &lt;a href="http://www.ahasverus.se/"&gt;Ahasverus&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/24079749-8770462471166073707?l=massard.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://massard.blogspot.com/feeds/8770462471166073707/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=24079749&amp;postID=8770462471166073707&amp;isPopup=true' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/8770462471166073707'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/8770462471166073707'/><link rel='alternate' type='text/html' href='http://massard.blogspot.com/2006/10/ahasverus-destiny-of-fabien-kazmierski.html' title='Ahasverus :: the destiny of fabian kazmierski'/><author><name>thierry massard</name><uri>http://www.blogger.com/profile/08698810450689981475</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-4KpEUL05dzQ/TgrB2q1Dy6I/AAAAAAAAF4w/FPy_-k17XPY/s220/662%2B210.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-24079749.post-3919333650589352692</id><published>2006-10-08T11:14:00.002+02:00</published><updated>2011-06-14T11:00:59.162+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='takeshi nakamura'/><title type='text'>Takeshi Nakamura :: the questionnaire</title><content type='html'>&lt;span class="Apple-style-span" style="font-style: italic;"&gt;:: This portrait is based on the original "questionnaire of Marcel Proust", created by Antoinette Faure around 1890&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/24079749-3919333650589352692?l=massard.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://the-questionnaire.blogspot.com/2006/10/takeshi-nakamura.html' title='Takeshi Nakamura :: the questionnaire'/><link rel='replies' type='application/atom+xml' href='http://massard.blogspot.com/feeds/3919333650589352692/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=24079749&amp;postID=3919333650589352692&amp;isPopup=true' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/3919333650589352692'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/3919333650589352692'/><link rel='alternate' type='text/html' href='http://massard.blogspot.com/2006/10/takeshi-nakamura-questionnaire.html' title='Takeshi Nakamura :: the questionnaire'/><author><name>thierry massard</name><uri>http://www.blogger.com/profile/08698810450689981475</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-4KpEUL05dzQ/TgrB2q1Dy6I/AAAAAAAAF4w/FPy_-k17XPY/s220/662%2B210.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-24079749.post-7339734490321166323</id><published>2006-10-05T22:57:00.001+02:00</published><updated>2010-05-03T14:31:17.838+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='addsensor'/><category scheme='http://www.blogger.com/atom/ns#' term='javier rubio'/><title type='text'>Javier Rubio :: hi%</title><content type='html'>"La obsesión por el control del ambiente" … Second after second, Javier Rubio confirms, ::hi% practices the solidification of atmosphere(S), as others make sculpture, appreciation of the quality of matters, combined environment with an exceptional sensory perception -:: hi% is also and finally, the place where we can discover the absolute happiness which constitutes the track "estez". &lt;br /&gt;Debe tener ? sí definitivo !&lt;br /&gt;&lt;br /&gt;Format :: digital&lt;br /&gt;Location :: &lt;a href="http://www.addsensor.com/"&gt;++sensor&lt;/a&gt;&lt;br /&gt;thanks to hOus3s at &lt;a href="http://www.op3n.net/minifu/"&gt;minifú&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/24079749-7339734490321166323?l=massard.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://massard.blogspot.com/feeds/7339734490321166323/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=24079749&amp;postID=7339734490321166323&amp;isPopup=true' title='1 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/7339734490321166323'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/7339734490321166323'/><link rel='alternate' type='text/html' href='http://massard.blogspot.com/2006/10/javier-rubio-hi.html' title='Javier Rubio :: hi%'/><author><name>thierry massard</name><uri>http://www.blogger.com/profile/08698810450689981475</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-4KpEUL05dzQ/TgrB2q1Dy6I/AAAAAAAAF4w/FPy_-k17XPY/s220/662%2B210.jpg'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-24079749.post-2703987883581522036</id><published>2006-10-05T09:45:00.001+02:00</published><updated>2010-05-03T14:31:34.938+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='laurent batailley'/><title type='text'>Laurent Batailley :: the black dog - end of time</title><content type='html'>can you immediately feel this particular touch with some magnetic velvet particles, slightly thorny asperities shaving the end of your fingers ? &lt;br /&gt;Can you breathe an air satured with some organic emanations of a vegetable gas ? Then, seized by some shiver, try to imagine the most splendid toboggan whirling in an infinite greenery. &lt;br /&gt;Magic and so real, this musician is a photographer, or is it the contrary ? &lt;br /&gt;who cares …&lt;br /&gt;&lt;br /&gt;Format :: photography&lt;br /&gt;Location :: &lt;a href="http://www.batailley.net/index.php?showimage=233"&gt;the black dog - end of time&lt;/a&gt;&lt;br /&gt;Website :: &lt;a href="http://www.batailley.net/index.php?x=browse"&gt;Laurent Batailley&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/24079749-2703987883581522036?l=massard.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://massard.blogspot.com/feeds/2703987883581522036/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=24079749&amp;postID=2703987883581522036&amp;isPopup=true' title='1 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/2703987883581522036'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/2703987883581522036'/><link rel='alternate' type='text/html' href='http://massard.blogspot.com/2006/10/laurent-batailley-black-dog-end-of-time.html' title='Laurent Batailley :: the black dog - end of time'/><author><name>thierry massard</name><uri>http://www.blogger.com/profile/08698810450689981475</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-4KpEUL05dzQ/TgrB2q1Dy6I/AAAAAAAAF4w/FPy_-k17XPY/s220/662%2B210.jpg'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-24079749.post-7255970568166578638</id><published>2006-10-05T07:34:00.003+02:00</published><updated>2011-06-14T11:01:54.258+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='sven swift'/><title type='text'>Sven Swift :: the questionnaire</title><content type='html'>:: the questionnaire &lt;span style="font-style: italic;"&gt;is based on the original "questionnaire of Marcel Proust", created by Antoinette Faure around 1890.&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/24079749-7255970568166578638?l=massard.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://the-questionnaire.blogspot.com/2006/10/sven-swift.html' title='Sven Swift :: the questionnaire'/><link rel='replies' type='application/atom+xml' href='http://massard.blogspot.com/feeds/7255970568166578638/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=24079749&amp;postID=7255970568166578638&amp;isPopup=true' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/7255970568166578638'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/7255970568166578638'/><link rel='alternate' type='text/html' href='http://massard.blogspot.com/2006/10/sven-swift-questionnaire.html' title='Sven Swift :: the questionnaire'/><author><name>thierry massard</name><uri>http://www.blogger.com/profile/08698810450689981475</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-4KpEUL05dzQ/TgrB2q1Dy6I/AAAAAAAAF4w/FPy_-k17XPY/s220/662%2B210.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-24079749.post-6959517213565976311</id><published>2006-10-04T10:25:00.001+02:00</published><updated>2010-05-03T14:32:13.028+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='sutemos'/><category scheme='http://www.blogger.com/atom/ns#' term='various artists'/><title type='text'>various artists :: intelligent toys 3</title><content type='html'>"In front of your eyes you have the third part of the most successful Intelligent Toys compilation series. During these 3 years Intelligent Toys 2 has become the best representative of Sutemos.net and it remains not only the most popular release of our net label but also one of the most popular virtual compilations of electronic music in the world."&lt;br /&gt;&lt;br /&gt;… so this "&lt;span style="font-style: italic;"&gt;most popular virtual compilation of electronic music in the world&lt;/span&gt;" should be that post-Boards of Canada, Plaid pale copy of tepid and uninspired tracks from some grandly interesting artists ? The sutemos modest guys have really to wake up from their lukewarm torpor, these :: intelligent toys 3 has a sad taste of "déjà-vu", just broke them ! and let us just call that, a fastly forgotten faux-pas.&lt;br /&gt;&lt;br /&gt;Format :: digital&lt;br /&gt;Location : &lt;a href="http://www.sutemos.net/en/player;gid,15"&gt;sutemos&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/24079749-6959517213565976311?l=massard.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://massard.blogspot.com/feeds/6959517213565976311/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=24079749&amp;postID=6959517213565976311&amp;isPopup=true' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/6959517213565976311'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/6959517213565976311'/><link rel='alternate' type='text/html' href='http://massard.blogspot.com/2006/10/various-artists-intelligent-toys-3.html' title='various artists :: intelligent toys 3'/><author><name>thierry massard</name><uri>http://www.blogger.com/profile/08698810450689981475</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-4KpEUL05dzQ/TgrB2q1Dy6I/AAAAAAAAF4w/FPy_-k17XPY/s220/662%2B210.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-24079749.post-6684102343796770077</id><published>2006-10-04T09:56:00.001+02:00</published><updated>2010-05-03T14:32:38.438+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='isuzu kochiwa'/><title type='text'>Isuzu Kochiwa :: disassembling the molecules</title><content type='html'>Sigmar Polke, Holbein, Martin Kippenberger, Hans Richter, Shrigley, Marcel Duchamp, O'Helen, De Koonig, Magritte, Velasquez, Durer, Reinhardt, George Baselitz, Degas, Warhol, Monet, Tuymans or Anselm Kiefer … &lt;br /&gt;What is the difference between all these artists in the hands of Isuzu Kochiwa ?&lt;br /&gt;They all become particularly tedious.&lt;br /&gt;I do not thank you Mister Kochiwa …&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Format :: digital&lt;br /&gt;Location :: &lt;a href="http://birdsong.co.il"&gt;birdsong&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/24079749-6684102343796770077?l=massard.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://massard.blogspot.com/feeds/6684102343796770077/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=24079749&amp;postID=6684102343796770077&amp;isPopup=true' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/6684102343796770077'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/6684102343796770077'/><link rel='alternate' type='text/html' href='http://massard.blogspot.com/2006/10/isuzu-kochiwa-disassembling-molecules.html' title='Isuzu Kochiwa :: disassembling the molecules'/><author><name>thierry massard</name><uri>http://www.blogger.com/profile/08698810450689981475</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-4KpEUL05dzQ/TgrB2q1Dy6I/AAAAAAAAF4w/FPy_-k17XPY/s220/662%2B210.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-24079749.post-2980050810398127773</id><published>2006-10-02T14:31:00.001+02:00</published><updated>2010-05-03T14:33:32.458+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='serein'/><category scheme='http://www.blogger.com/atom/ns#' term='various artists'/><title type='text'>various artists :: OIO</title><content type='html'>We often show "some" reviewers being talkative ... That is absolutely right, but we can also say that compilations are not the best exercice to be quite succinctness, as we have to share so many items such as the general concept of the release (if there is one), all the details concerning each guest of the compilation (new comer in the label, a new direction for some artist …). In fact, being "succintness reviewer of compilation" is not an easy job … And so, concerning this OIO serein release, i have challenged myself being the more concise possible :: just a word … for each &lt;br /&gt;Concept :: yes&lt;br /&gt;Artwork :: nice&lt;br /&gt;Artists :: nic(n)e&lt;br /&gt;1 . marcel türkowsky - kuro sawa :: … snug&lt;br /&gt;2 . herzog - perhaps she'd like to see me fall apart :: … highlight&lt;br /&gt;3 . stephane leonard - wanna be :: … inspired (faith)&lt;br /&gt;4 . huw roberts - a dolce in sun :: … acuity&lt;br /&gt;5 . mark templeton - further to speak :: … meander&lt;br /&gt;6 . 1000 hours of staring - north :: … busy&lt;br /&gt;7 . stephane leonard - do you wander ? :: … tune&lt;br /&gt;8 . muhr - l'écoulement :: … risky&lt;br /&gt;9 . yannick franck and olivier pé - #004 :: … ionizing&lt;br /&gt;in a protean word, OIO is snug-highlight-inspired-acuity-meander-busy-tune-risky-impalpable and … recommended !&lt;br /&gt;&lt;br /&gt;Format :: digital&lt;br /&gt;Location :: &lt;a href="http://www.serein.co.uk/index.php?cat=ser010"&gt;serein&lt;/a&gt;&lt;br /&gt;Info :: serein is also guest of multilink magazine / new issue - &lt;a href="http://www.multilinkmagazine.com/issue_7.php"&gt;vol.2 : issue 3&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/24079749-2980050810398127773?l=massard.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://massard.blogspot.com/feeds/2980050810398127773/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=24079749&amp;postID=2980050810398127773&amp;isPopup=true' title='1 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/2980050810398127773'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/2980050810398127773'/><link rel='alternate' type='text/html' href='http://massard.blogspot.com/2006/10/various-artists-oio.html' title='various artists :: OIO'/><author><name>thierry massard</name><uri>http://www.blogger.com/profile/08698810450689981475</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-4KpEUL05dzQ/TgrB2q1Dy6I/AAAAAAAAF4w/FPy_-k17XPY/s220/662%2B210.jpg'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-24079749.post-2855569890138359441</id><published>2006-10-01T09:55:00.002+02:00</published><updated>2011-06-14T11:03:20.161+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='fred debief'/><category scheme='http://www.blogger.com/atom/ns#' term='ascalaphe'/><title type='text'>Fred Debief :: the questionnaire</title><content type='html'>:: the questionnaire &lt;span style="font-style: italic;"&gt;is based on the original "questionnaire of Marcel Proust", created by Antoinette Faure around 1890.&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/24079749-2855569890138359441?l=massard.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://the-questionnaire.blogspot.com/2006/09/fred-debief.html' title='Fred Debief :: the questionnaire'/><link rel='replies' type='application/atom+xml' href='http://massard.blogspot.com/feeds/2855569890138359441/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=24079749&amp;postID=2855569890138359441&amp;isPopup=true' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/2855569890138359441'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/2855569890138359441'/><link rel='alternate' type='text/html' href='http://massard.blogspot.com/2006/10/fred-debief-questionnaire.html' title='Fred Debief :: the questionnaire'/><author><name>thierry massard</name><uri>http://www.blogger.com/profile/08698810450689981475</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-4KpEUL05dzQ/TgrB2q1Dy6I/AAAAAAAAF4w/FPy_-k17XPY/s220/662%2B210.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-24079749.post-115917867866900715</id><published>2006-09-25T11:58:00.001+02:00</published><updated>2010-05-03T14:34:25.883+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='takeshi nakamura'/><title type='text'>Takeshi Nakamura :: compudelic</title><content type='html'>In not more than a year, and 6 major releases, Takeshi Nakamura became a very important actor of the electro (glitch) scene. The possible highlight was probably "ordinary days" for zymogen netlab on late january, followed by the springtime "easy listening" that the home reviewer, in a fever access, had possibly critically dispatched a little too … hastily. Then I was impatiently waited the moment or finally I could again say all it although I think of this very great artist - this time now came with :: compudelic. &lt;br /&gt;Opening with "new world disorder" and its fragmentated vocabulary, dig worthy of a Gysin dream machine in full sensory divagation. you can be certain that we approach some "exra-ordinary" shores. Then, if sometimes  the writing becomes rougher (entrance) it is to better prepare the brilliant "compudelic" track in which Takeshi plays with sounscapes and images of those old kitsch visions of the antic computer age (pre-atari version). Take care about the man cause he has a great sense of humour (remember :: easy listening) and “dub” does not make it lie. "tone-deafness remix" is the perfect prolongation right before starting another top of the release "neurosis". This autumn will probably be influenced by the splendid Nakamura's abstract architectures such as this "am 4:30" which ends this sixth production of the musician and makes us, from now, on await more impatiently the continuation … we will not wait for long, be sure of that.&lt;br /&gt;&lt;br /&gt;Format :: digital&lt;br /&gt;Location :: &lt;a href="http://www.play-code.com/"&gt;play-code&lt;/a&gt;&lt;br /&gt;Website :: &lt;a href="http://www.geocities.jp/pdkwb083/"&gt;Takeshi Nakamura&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;please check also &lt;br /&gt;&lt;br /&gt;Takeshi Nakamura :: inferior articles&lt;br /&gt;Format :: digital&lt;br /&gt;Location :: &lt;a href="http://digitalbiotope.net/index.php?work=db018_TakeshiNakamura_InferiorArticles"&gt;digitalbiotope&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/24079749-115917867866900715?l=massard.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://massard.blogspot.com/feeds/115917867866900715/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=24079749&amp;postID=115917867866900715&amp;isPopup=true' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/115917867866900715'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/115917867866900715'/><link rel='alternate' type='text/html' href='http://massard.blogspot.com/2006/09/takeshi-nakamura-compudelic.html' title='Takeshi Nakamura :: compudelic'/><author><name>thierry massard</name><uri>http://www.blogger.com/profile/08698810450689981475</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-4KpEUL05dzQ/TgrB2q1Dy6I/AAAAAAAAF4w/FPy_-k17XPY/s220/662%2B210.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-24079749.post-115893307256841607</id><published>2006-09-22T15:47:00.001+02:00</published><updated>2010-05-03T14:34:52.927+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='vitalis popoff'/><title type='text'>Vitalis Popoff :: didaskalion tou hypnou</title><content type='html'>Such a prelude to the numbness of our senses - this new release of (great) web activist, Vitalis Popoff, recalls us with the greedy pleasure of these “classic” tech-dub productions, with a "nonchalante" unconcern, dissimulating a rare intensity. 7 perfect gems.&lt;br /&gt;&lt;br /&gt;Format :: digital&lt;br /&gt;Location :: &lt;a href="http://no-response.org/no-response-releases/release_details.php?relid=23"&gt;no-response&lt;/a&gt;&lt;br /&gt;Website :: &lt;a href="http://popoff.pl/"&gt;Vitalis Popoff&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/24079749-115893307256841607?l=massard.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://massard.blogspot.com/feeds/115893307256841607/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=24079749&amp;postID=115893307256841607&amp;isPopup=true' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/115893307256841607'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/115893307256841607'/><link rel='alternate' type='text/html' href='http://massard.blogspot.com/2006/09/vitalis-popoff-didaskalion-tou-hypnou.html' title='Vitalis Popoff :: didaskalion tou hypnou'/><author><name>thierry massard</name><uri>http://www.blogger.com/profile/08698810450689981475</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-4KpEUL05dzQ/TgrB2q1Dy6I/AAAAAAAAF4w/FPy_-k17XPY/s220/662%2B210.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-24079749.post-115882818237104055</id><published>2006-09-21T10:41:00.002+02:00</published><updated>2011-06-14T11:05:11.718+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Anton Cherkasov'/><title type='text'>Anton Cherkasov aka Holden :: the questionnaire</title><content type='html'>* Этот портрет основан на первоначально "вопроснике Marcel Proust", созданном Антоинетте Фауре вокруг 1890&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/24079749-115882818237104055?l=massard.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://the-questionnaire.blogspot.com/2006/09/holden.html' title='Anton Cherkasov aka Holden :: the questionnaire'/><link rel='replies' type='application/atom+xml' href='http://massard.blogspot.com/feeds/115882818237104055/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=24079749&amp;postID=115882818237104055&amp;isPopup=true' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/115882818237104055'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/115882818237104055'/><link rel='alternate' type='text/html' href='http://massard.blogspot.com/2006/09/holden-questionnaire.html' title='Anton Cherkasov aka Holden :: the questionnaire'/><author><name>thierry massard</name><uri>http://www.blogger.com/profile/08698810450689981475</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-4KpEUL05dzQ/TgrB2q1Dy6I/AAAAAAAAF4w/FPy_-k17XPY/s220/662%2B210.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-24079749.post-115874030992750808</id><published>2006-09-20T10:16:00.003+02:00</published><updated>2010-05-03T15:01:24.567+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='raul fuentes'/><category scheme='http://www.blogger.com/atom/ns#' term='heezen'/><title type='text'>Heezen :: secret speech</title><content type='html'>What splendid days ! ... Beautiful netaudios succeed to other, and non less, beautiful netaudios and it must be said, it is quite delicate to follow this infernal movement. Then, after such a great party, the hangover will be brutal, one day or another. Anyway, as said somewhere Miss County "tomorrow is another day" …&lt;br /&gt;&lt;br /&gt;Who are those :: secret speech, all made of particles of souvenirs, extracted from the memory of Raül Fuentes, or was it from old vinyl treasures. A few guitar tunes, a reminiscence of Willian Klein iconography or Jean Seberg selling the “New York herald tribune” on the Champs Elysées, a limpid writing. These secrets are all made of magic. what splendid days !&lt;br /&gt;&lt;br /&gt;Format :: cd / digital&lt;br /&gt;Location :: &lt;a href="http://www.12rec.net/Releases.htm"&gt;12rec.&lt;/a&gt;&lt;br /&gt;Website :: &lt;a href="http://www.heezen.co.nr/"&gt;Heezen&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/24079749-115874030992750808?l=massard.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://massard.blogspot.com/feeds/115874030992750808/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=24079749&amp;postID=115874030992750808&amp;isPopup=true' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/115874030992750808'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/115874030992750808'/><link rel='alternate' type='text/html' href='http://massard.blogspot.com/2006/09/heezen-secret-speech.html' title='Heezen :: secret speech'/><author><name>thierry massard</name><uri>http://www.blogger.com/profile/08698810450689981475</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-4KpEUL05dzQ/TgrB2q1Dy6I/AAAAAAAAF4w/FPy_-k17XPY/s220/662%2B210.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-24079749.post-115867785326138267</id><published>2006-09-19T16:54:00.001+02:00</published><updated>2010-05-03T15:01:45.992+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='madame cell'/><title type='text'>Madame Cell :: madame cell</title><content type='html'>:: madame cell is the result of the intensive and grubbing work of ig.&lt;br /&gt;the accomplices are (in order of appearance in your orl system) ::&lt;br /&gt;Mónica De Nut - Fernando Abreu- Alvaro Iglesias&lt;br /&gt;:: madame cell is the result of improvisations - sound collisions and slides …&lt;br /&gt;:: madame cell is a pretty woman&lt;br /&gt;:: madame cell is all made of talent but in 7 distinctive parts and it is sometimes difficult to have a general point of view on this protean beauty. The beautiful "intermezzo" of :: madame cell have been all made with a piano and it is a beautiful intermezzo. As i am in, i do not understand a word of the presentation text of the release, and i should like to have the translation of these words but as always, i do not want to use those silly surrealistic translator machines.&lt;br /&gt;&lt;br /&gt;the "fuga a 2 voce" of :: madame cell is absolutely "impressive" … but i also have to take care on my impressive use of this word, these days. "praeludium en mi" would easily transformed you as an agreeing victim of a mantis reliogosa.&lt;br /&gt;In :: madame cell, after the "mi" is the "re", and it is a pretty good news for all those who prefer short cuts to musical theory - the only problem in that this "praeludium in re" is closing an "a emocion sempre residual" and i agree because i think it means ... essential.&lt;br /&gt;&lt;br /&gt;Format :: digital&lt;br /&gt;Location :: &lt;a href="http://www.alg-label.com/spip.php?article92"&gt;alg-a&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/24079749-115867785326138267?l=massard.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://massard.blogspot.com/feeds/115867785326138267/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=24079749&amp;postID=115867785326138267&amp;isPopup=true' title='2 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/115867785326138267'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/115867785326138267'/><link rel='alternate' type='text/html' href='http://massard.blogspot.com/2006/09/madame-cell-madame-cell.html' title='Madame Cell :: madame cell'/><author><name>thierry massard</name><uri>http://www.blogger.com/profile/08698810450689981475</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-4KpEUL05dzQ/TgrB2q1Dy6I/AAAAAAAAF4w/FPy_-k17XPY/s220/662%2B210.jpg'/></author><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-24079749.post-115858468468521367</id><published>2006-09-18T15:02:00.003+02:00</published><updated>2011-01-18T20:30:05.746+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='hw'/><category scheme='http://www.blogger.com/atom/ns#' term='coldicus'/><title type='text'>Coldicus :: easy love - hard feel</title><content type='html'>Of course, this review could look like this :: "Following the may single release :: minimal [no] horowo for otium netlab, :: easy love - hard feel confirms all it although we thought of Ilya Mamochkin. Amateur of atmospheres where the deep immersions dominate, the man of Murmansk is an usual and amateur of beautiful work" … but, after a quick search on google, looking for impressions on colors, skies, walls … of the city, appears this photo taken through a car window of a man alone, in a Murmansk street covered with white and dirty snow ( &lt;a href="http://www.barentsspecialists.net/albums/murmansk/murmansk_second_third_039_std.jpg"&gt;photo&lt;/a&gt; ) the picture is ironically intitled "a russian graffiti" in reason of a soviet-realism prop painting on the wall of a building …nothing on the quiet gravity on the face of the man who seems to just have a walk, indifferent to the matter of the photographer (who is probably in search of a hypothetical sense of humour). Coldicus is doing the same with his music, gravity, quiet and deep feelings, a taste of humanity solidified by the cold nature of things. In that way, the works of Ilya are so deeply modern and impressed of a true and rare elegance. Then remains that general impression of conceptual sadness even after a delicate "caress", or is it what the french symbolists poets of the end of the 19th century (Charles Baudelaire) called "spleen" and on particular item like  "everything's (no) ok", the message is clear. "whatever" which follows seems to propose a way, a way on vacuity, luxury, Coldicus is apparently a dandiysm adept. This beautiful netaudio is closing on "man in fridays" and "sms" majorly on a downtempo electronica approach, but no way on some genre terms, Coldicus is singular and we sometimes should like to have a walk in Murmansk streets with him.&lt;br /&gt;&lt;br /&gt;Format :: digital&lt;br /&gt;Location :: &lt;a href="http://homework.polarnet.ru/?p=218"&gt;hw homework&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;V and R :: &lt;a href="http://massard.blogspot.com/2006/05/coldicus-minimal-no-horowo.html"&gt;minimal [no] horowo&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/24079749-115858468468521367?l=massard.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://massard.blogspot.com/feeds/115858468468521367/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=24079749&amp;postID=115858468468521367&amp;isPopup=true' title='1 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/115858468468521367'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/115858468468521367'/><link rel='alternate' type='text/html' href='http://massard.blogspot.com/2006/09/coldicus-easy-love-hard-feel.html' title='Coldicus :: easy love - hard feel'/><author><name>thierry massard</name><uri>http://www.blogger.com/profile/08698810450689981475</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-4KpEUL05dzQ/TgrB2q1Dy6I/AAAAAAAAF4w/FPy_-k17XPY/s220/662%2B210.jpg'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-24079749.post-115842374431213996</id><published>2006-09-16T18:17:00.002+02:00</published><updated>2011-06-14T11:06:02.745+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='kenji siratori'/><title type='text'>Kenji Siratori :: the questionnaire</title><content type='html'>&lt;span class="Apple-style-span" style="font-style: italic;"&gt;* This portrait is based on the original "questionnaire of Marcel Proust", created by Antoinette Faure around 1890.&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/24079749-115842374431213996?l=massard.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://the-questionnaire.blogspot.com/2006/09/kenji-siratori.html' title='Kenji Siratori :: the questionnaire'/><link rel='replies' type='application/atom+xml' href='http://massard.blogspot.com/feeds/115842374431213996/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=24079749&amp;postID=115842374431213996&amp;isPopup=true' title='1 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/115842374431213996'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/115842374431213996'/><link rel='alternate' type='text/html' href='http://massard.blogspot.com/2006/09/kenji-siratori-questionnaire.html' title='Kenji Siratori :: the questionnaire'/><author><name>thierry massard</name><uri>http://www.blogger.com/profile/08698810450689981475</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-4KpEUL05dzQ/TgrB2q1Dy6I/AAAAAAAAF4w/FPy_-k17XPY/s220/662%2B210.jpg'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-24079749.post-115839037615787093</id><published>2006-09-16T09:05:00.001+02:00</published><updated>2010-05-03T15:04:00.308+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='eric delay'/><title type='text'>Eric Delay :: finding neverland</title><content type='html'>"The girl with the pearl and the turban" still keeps his precious secret … through a cold fog, Eric Delay is in search of James M. Barrie imaginary country. It is certain that with a single of this quality, he could find it, who knows ...&lt;br /&gt;&lt;br /&gt;Format :: digital&lt;br /&gt;Location :: &lt;a href="http://www.audio808.com.ar/"&gt;audio 808&lt;/a&gt;&lt;br /&gt;Website :: &lt;a href="http://www.ericdelay.by.ru/"&gt;Eric Delay&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/24079749-115839037615787093?l=massard.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://massard.blogspot.com/feeds/115839037615787093/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=24079749&amp;postID=115839037615787093&amp;isPopup=true' title='1 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/115839037615787093'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/115839037615787093'/><link rel='alternate' type='text/html' href='http://massard.blogspot.com/2006/09/eric-delay-finding-neverland.html' title='Eric Delay :: finding neverland'/><author><name>thierry massard</name><uri>http://www.blogger.com/profile/08698810450689981475</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-4KpEUL05dzQ/TgrB2q1Dy6I/AAAAAAAAF4w/FPy_-k17XPY/s220/662%2B210.jpg'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-24079749.post-115835090662237899</id><published>2006-09-15T22:04:00.002+02:00</published><updated>2011-06-14T11:06:43.196+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='alexandre navarro'/><title type='text'>Alexandre Navarro :: the questionnaire</title><content type='html'>&lt;em&gt;* This portrait is based on the original "questionnaire of Marcel Proust", created by Antoinette Faure around 1890&lt;/em&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/24079749-115835090662237899?l=massard.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://the-questionnaire.blogspot.com/2006/09/alexandre-navarro.html' title='Alexandre Navarro :: the questionnaire'/><link rel='replies' type='application/atom+xml' href='http://massard.blogspot.com/feeds/115835090662237899/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=24079749&amp;postID=115835090662237899&amp;isPopup=true' title='2 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/115835090662237899'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/115835090662237899'/><link rel='alternate' type='text/html' href='http://massard.blogspot.com/2006/09/alexandre-navarro-questionnaire.html' title='Alexandre Navarro :: the questionnaire'/><author><name>thierry massard</name><uri>http://www.blogger.com/profile/08698810450689981475</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-4KpEUL05dzQ/TgrB2q1Dy6I/AAAAAAAAF4w/FPy_-k17XPY/s220/662%2B210.jpg'/></author><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-24079749.post-115832405995677866</id><published>2006-09-15T14:40:00.002+02:00</published><updated>2010-11-20T17:54:59.375+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='kahvi'/><category scheme='http://www.blogger.com/atom/ns#' term='alkor'/><title type='text'>Alkor :: describe your nature ep</title><content type='html'>As an authentic epicurean, who wants to hide his pleasure ? the synthetic candy amateurs, that we are, will regale themselves, "describe your nature" is a window of softnesses - deep basses, eliptic loops, cinemascope soundscapes, perfect harmonies on impulsive rhythmics, Alkor is not sparing, in those dark times of austere rigour and serious faces, never the word "enjoy" have been so magically spendthrift and useful, dziękuję Alkor … En-joy !&lt;br /&gt;&lt;br /&gt;Format :: digital&lt;br /&gt;Location :: &lt;a href="http://www.kahvi.org/122.php"&gt;kahvi&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/24079749-115832405995677866?l=massard.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://massard.blogspot.com/feeds/115832405995677866/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=24079749&amp;postID=115832405995677866&amp;isPopup=true' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/115832405995677866'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/115832405995677866'/><link rel='alternate' type='text/html' href='http://massard.blogspot.com/2006/09/alkor-describe-your-nature-ep.html' title='Alkor :: describe your nature ep'/><author><name>thierry massard</name><uri>http://www.blogger.com/profile/08698810450689981475</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-4KpEUL05dzQ/TgrB2q1Dy6I/AAAAAAAAF4w/FPy_-k17XPY/s220/662%2B210.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-24079749.post-115813885333914129</id><published>2006-09-13T11:10:00.001+02:00</published><updated>2010-05-03T15:05:06.790+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='alexandre navarro'/><title type='text'>Alexandre Navarro :: dimension</title><content type='html'>Please say it all to me&lt;br /&gt;&lt;br /&gt;What is the magnitude of an air sight ? do we have to give up with the pleasure of a travel vision ?&lt;br /&gt;With :: dimension, Alexandre Navarro is offering a beautiful invitation to explore the projection of the space between things, people and thoughts - a delicate pop perfume comes to support the lightness of the matter, this release is the one of a traveller attentive to his environment -  mobile or motionless, at last it doesn't matter, as only counts the art of travelling in another ...&lt;br /&gt;&lt;br /&gt;Format :: digital&lt;br /&gt;Location :: &lt;a href="http://www.standard-music.net/releases.php?id_albums=16"&gt;standard klik music&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/24079749-115813885333914129?l=massard.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://massard.blogspot.com/feeds/115813885333914129/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=24079749&amp;postID=115813885333914129&amp;isPopup=true' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/115813885333914129'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/115813885333914129'/><link rel='alternate' type='text/html' href='http://massard.blogspot.com/2006/09/alexandre-navarro-dimension.html' title='Alexandre Navarro :: dimension'/><author><name>thierry massard</name><uri>http://www.blogger.com/profile/08698810450689981475</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-4KpEUL05dzQ/TgrB2q1Dy6I/AAAAAAAAF4w/FPy_-k17XPY/s220/662%2B210.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-24079749.post-115807710035955167</id><published>2006-09-12T18:03:00.002+02:00</published><updated>2011-07-06T14:10:28.526+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='baba llaga'/><category scheme='http://www.blogger.com/atom/ns#' term='xedh'/><title type='text'>Baba Llaga :: el ultimo viaje de vasilissa</title><content type='html'>Impressive … ''el amor del insectos''&lt;br /&gt;Impressive … "cuarto milenio"&lt;br /&gt;Impressive … "omen"&lt;br /&gt;Impressive … "documento clinico"&lt;br /&gt;Impressive … "la axacra de llano"&lt;br /&gt;Impressive … "television fantasma"&lt;br /&gt;Impressive … "dama del ocaso"&lt;br /&gt;Impressive …&lt;br /&gt;Impressive … are first those enthralling little "insectos" which surreptitiously involve enter bodies through auditory canal and mark durably your cortex - Impressive is the echo of the fourth millenium in a human breathe - impressive is "omen" as a moving and atmospheric opacity suddenly returned to our tangible reality - impressive is "documento clinico" this gloved latex hand, opening a heavy file of secrecies, do you feel the glance of that whom scans you professionally - impressive is "laxacra de llano" like an electric cable transferring on standby electric shock - "television fantasma" will no longer give any rest as impressive are the flux of questions on the real contain behind the screen - Then does "dama del ocaso", which ends this release, like a Burroughs cut-up attack on a lyrical sanctuary revealing a white noise heart is impressive ? Yes it is.&lt;br /&gt;&lt;br /&gt;:: el ultimo viaje de vasilissa is the first release of Baba Llaga - Raul Dominguez (Armadillo Concreto), Miguel A. García (Xedh, Valvula Antirretorno), Daniel Llaria (Bujero) &amp; Itziar Markiegi (Teta FX), "100% improvised … focused more on the texture and evocation than on the impact and perversion of different forms of music - no intentions and no pretentions.”&lt;br /&gt;&lt;br /&gt;just … impressive&lt;br /&gt;&lt;br /&gt;Format :: digital&lt;br /&gt;Location :: &lt;a href="http://www.mahorka.org/release/041"&gt;mahorka&lt;/a&gt;&lt;br /&gt;thanks to Sergi at bleepwatch&lt;br /&gt;V and R :: &lt;a href="http://massard.blogspot.com/2006/03/xedh-sortzen.html"&gt;Xedh :: sort:zen&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/24079749-115807710035955167?l=massard.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://massard.blogspot.com/feeds/115807710035955167/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=24079749&amp;postID=115807710035955167&amp;isPopup=true' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/115807710035955167'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/115807710035955167'/><link rel='alternate' type='text/html' href='http://massard.blogspot.com/2006/09/baba-llaga-el-ultimo-viaje-de_12.html' title='Baba Llaga :: el ultimo viaje de vasilissa'/><author><name>thierry massard</name><uri>http://www.blogger.com/profile/08698810450689981475</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-4KpEUL05dzQ/TgrB2q1Dy6I/AAAAAAAAF4w/FPy_-k17XPY/s220/662%2B210.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-24079749.post-115789594240035151</id><published>2006-09-10T15:42:00.002+02:00</published><updated>2011-06-14T11:07:39.447+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='pedro leitao'/><category scheme='http://www.blogger.com/atom/ns#' term='test tube'/><title type='text'>Pedro Leitão :: the questionnaire</title><content type='html'>:: the questionnaire &lt;span style="font-style: italic;"&gt;is based on the original "questionnaire of Marcel Proust", created by Antoinette Faure around 1890.&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/24079749-115789594240035151?l=massard.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://the-questionnaire.blogspot.com/2006/09/pedro-leito.html' title='Pedro Leitão :: the questionnaire'/><link rel='replies' type='application/atom+xml' href='http://massard.blogspot.com/feeds/115789594240035151/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=24079749&amp;postID=115789594240035151&amp;isPopup=true' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/115789594240035151'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/115789594240035151'/><link rel='alternate' type='text/html' href='http://massard.blogspot.com/2006/09/pedro-leito-questionnaire.html' title='Pedro Leitão :: the questionnaire'/><author><name>thierry massard</name><uri>http://www.blogger.com/profile/08698810450689981475</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-4KpEUL05dzQ/TgrB2q1Dy6I/AAAAAAAAF4w/FPy_-k17XPY/s220/662%2B210.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-24079749.post-115770820985452793</id><published>2006-09-08T11:34:00.001+02:00</published><updated>2010-05-03T15:06:33.456+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='petr drkula'/><title type='text'>Petr Drkula :: shades of indian summer</title><content type='html'>"Composition Shades of Indian Summer is dedicated to my wife.  It's something like memory of time when we have met each other.  Plain themes returning periodically in small harmonic variations make a characteristic reminiscent touch." Says Petr Drkula and he is a far-sighted lover and an artist as clear-sighted as these :: shades of indian summer are so mostly addictive, that it is probably necessary to prepare the future listener you actually are. Take care with the modern charm of this magician. after 21 minutes 29 of such a harmonic fluidity treatment can we still imagine that a piano may be abused. Petr is indeed a frightening magician proposing to share some impressions of past but especially far from these sedative nostalgias evoked whereas we are comfortably installed in an armchair - This indian summer is beautiful, intensely contemporary and perfectly ... alive - Take care&lt;br /&gt;&lt;br /&gt;Format :: digital&lt;br /&gt;Location :: &lt;a href="http://www.protoplazma.com/releases/003/net.p003.html"&gt;protoplazma&lt;/a&gt;&lt;br /&gt;Website :: &lt;a href="http://www.petrdrkula.com/"&gt;Petr Drkula&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/24079749-115770820985452793?l=massard.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://massard.blogspot.com/feeds/115770820985452793/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=24079749&amp;postID=115770820985452793&amp;isPopup=true' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/115770820985452793'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/115770820985452793'/><link rel='alternate' type='text/html' href='http://massard.blogspot.com/2006/09/petr-drkula-shades-of-indian-summer.html' title='Petr Drkula :: shades of indian summer'/><author><name>thierry massard</name><uri>http://www.blogger.com/profile/08698810450689981475</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-4KpEUL05dzQ/TgrB2q1Dy6I/AAAAAAAAF4w/FPy_-k17XPY/s220/662%2B210.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-24079749.post-115762331609039879</id><published>2006-09-07T11:58:00.002+02:00</published><updated>2011-06-14T11:08:28.240+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='rob lynam'/><category scheme='http://www.blogger.com/atom/ns#' term='multilink'/><title type='text'>Rob Lynam :: the questionnaire</title><content type='html'>:: the questionnaire &lt;span style="font-style: italic;"&gt;is based on the original "questionnaire of Marcel Proust", created by Antoinette Faure around 1890.&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/24079749-115762331609039879?l=massard.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://the-questionnaire.blogspot.com/2006/09/rob-lynam.html' title='Rob Lynam :: the questionnaire'/><link rel='replies' type='application/atom+xml' href='http://massard.blogspot.com/feeds/115762331609039879/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=24079749&amp;postID=115762331609039879&amp;isPopup=true' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/115762331609039879'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/24079749/posts/default/115762331609039879'/><link rel='alternate' type='text/html' href='http://massard.blogspot.com/2006/09/rob-lynam-questionnaire.html' title='Rob Lynam :: the questionnaire'/><author><name>thierry massard</name><uri>http://www.blogger.com/profile/08698810450689981475</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://2.bp.blogspot.com/-4KpEUL05dzQ/TgrB2q1Dy6I/AAAAAAAAF4w/FPy_-k17XPY/s220/662%2B210.jpg'/></author><thr:total>0</thr:total></entry></feed>
